A Quote by Joschka Fischer

Germany is to be contained from outside and heterogenized from the inside by influx, 'diluted' so to speak. — © Joschka Fischer
Germany is to be contained from outside and heterogenized from the inside by influx, 'diluted' so to speak.
With this kind of camera-phone madness we have got, moments are diluted into self-contained edited experiences.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
What comes from outside, one mistakes it as coming from inside. So many thoughts etc. move about outside in the universal - these manifest inside you. All these you must push away as foreign to you and the inside must be made peaceful, calm and quiet; then it will start descending from above.
Sure, I acted in films in the Third Reich, entertainment films, which distracted countless people inside and outside Germany from daily life during war.
I was then at the height of my two-facedness: that is, outside I seemed one way, inside I was another; outside false, inside true.
Be at least as interested in what goes on inside you as what happens outside. If you get the inside right, the outside will fall into place.
I am a black man inside and outside and you are white men on the outside, but inside, you are Africans like me.
There's a lot of history here. In terms of Asians in this country, you have a big influx after the Cultural Revolution, a big influx after the Korean War, a big influx after the Vietnam War.
I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.
When I go to Colombia or Mexico, I speak Spanish. When I go to Italy, I speak Italian. When I'm in Germany, I speak German. Would I expect them to speak English in these countries? No. I mean, great if they do, but no. Would I be offended if in Spain they say we speak Spanish? No. If I was an immigrant there, no.
I can say to the German people that the United States has been good for Germany. Has looked out for Germany. Has provided security for Germany. Has helped rebuilt Germany. And unify Germany.
Nothing is harder to see into thanpeoples nature. The sage looks at subtle phenomena and listens tosmall voices. This harmonizes the outside with the inside and the inside with the outside.
My talk is inside of the cage. This is my real words where I talk every time. I think this is really important. You can speak before the fight on whatever you want, but inside of the Octagon, inside of the cage, it shows who you are. You can speak whatever you want, but who you are is who you will be inside the cage.
I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
Take the case of the infinite ocean. There is no limit to its water. Suppose a pot is immersed in it: there is water both inside and outside the pot. The jnani sees that both inside and outside there is nothing but Paramatman. Then what is this pot? It is 'I-consciousness'. Because of the pot the water appears to be divided into two parts; because of the pot you seem to perceive an inside and an outside. One feels that way as long as this pot of 'I' exists. When the 'I' disappears, what is remains. That cannot be described in words.
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