A Quote by Jose Antonio Vargas

For Filipino Americans, it's a battle for recognition, for identity in a culture where, for the mainstream, Asians tend to fade into a monochromatic racialized 'other.'
As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?
It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
We want to uplift the culture of Filipino - our respect to our elders, how we pray before we eat and sleep. These are things the younger generations tend to forget because of our exposure to other cultures.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
There's no doubt that many of the mainstream white institutions tend to be cosmetic and symbolic when it comes to including African-Americans, whereas we black folk tend to be much more sensitive about embracing others, and we have a long history of that.
Administrators tend to lump Asians in Chicago into one group, not understanding that these kids would be fighting each other, the Cambodians and the Vietnamese. We started a thing called cultural gift sharing, where everyone comes and says what his culture is, so the teachers and the administrators could understand they are different.
The identity of the Filipino today is of a person asking what is his identity.
Since the main problem that American, the Afro- Americans have is a lack of cultural identity. It is necessary to teach [people] that they had some type of identity, culture, civilization before they were brought here.
Much of how Americans have always understood their history, culture, and identity depends on positioning Europe as the 'other,' as that 'old world' against which they define themselves.
The divine flame of thought is inextinguishable in the Filipino people, and somehow or other it will shine forth and compel recognition. It is impossible to brutalize the inhabitants of the Philippines!
Few [books] get translated and the ones that do have trouble making it into the mainstream. It's more likely that Americans will discover another culture through an American writer rather read a writer from that culture.
Oddly enough, Asians are a much smaller 'minority' than African Americans in this country. But because Asians are so successful, college admission officers don't feel sorry for them, so they are not a preferred 'minority.'
Culture is a fluid, ongoing process. People tend to look at culture in a fixed time but it's constantly moving and evolving, as is the conversation between Americans and Cubans.
I tend to wear monochromatic outfits - all one colour from head to toe.
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