A Quote by Jose Antonio Vargas

The only reason I became a writer was so I could exist on a piece of paper. — © Jose Antonio Vargas
The only reason I became a writer was so I could exist on a piece of paper.
The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. A young writer must cross many psychological barriers to acquire confidence in his capacity to produce good work-especially his first full-length book-and he cannot do this by staring at a piece of blank paper, searching for the perfect sentence.
When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
Sometimes I wonder why I'm a novelist right now. There is no definite career reason why I became a writer. Something happened, and I became a writer. And now I'm a successful writer.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
Being a writer is a very peculiar sort of a job: it's always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.
The writer's no different. When he's rejected, that paper is rejected, in a sense, a sizeable fragment of the writer is rejected as well. It's a piece of himself that's being turned down.
...One reason I became a writer was that I figured out that if you call yourself a writer, you can read all you want and people think that you are working.
A reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination.
I feel as if I became a documentary film-maker only because I had writer's block for four decades. There's no other good reason.
Never trust people; always trust paper. I'd marry a piece of paper if I could.
I always liked the idea that you can put something in you onto a canvas or a piece of paper and have it exist there and not inside you. It's a way to control things.
I became much more interested in plot when I really didn't consider myself a writer anymore. When I was in an art context and I started to do installations, that was when writing of mine almost returned to fiction. Earlier I felt like I didn't have anything to write about, I could only concentrate on the page, I could only concentrate on words.
The wicked will run to the iron bridge, but it will collapse under their weight. The righteous will cross the paper bridge, and it will support them all. Paper is the only eternal bridge. Your purpose as a writer is to achieve one task, and one task only: to build a paper bridge to the world to come.
I became a millionaire overnight by signing a piece of paper. I made more money in that one second than my entire family did in their lifetime.
I remember as a child going to an exhibit about the Soviet Union, and every paper had this alien smell. The paper and the ink were all exported. It was like a piece of cheese from that country, you could touch it, feel it, smell it, and it was different.
How could you make appeal to the future when not a trace of you, not even an anonymous word scribbled on a piece of paper, could physically survive?
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