A Quote by Jose Antonio Vargas

I'm a journalist, and I'm a filmmaker. I have an organization that's all about telling stories. — © Jose Antonio Vargas
I'm a journalist, and I'm a filmmaker. I have an organization that's all about telling stories.
Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
I don't think it's going to be possible for the next generation of writers to tell stories without telling stories about telling stories.
My dad was a journalist. He was in Rwanda right after the genocide. In Berlin when the wall came down. He was always disappearing and coming back with amazing stories. So telling stories for a living made sense to me.
I guess you could say I've written a lot about one thing as a journalist. But I hardly ever saw it as exclusively about race. To my mind, it was more about telling stories of people who existed outside the mainstream's field of vision. Invisible people.
There's a social and human necessity for some kind of continuity, but it's not axiomatic and not something you're born into; it's something you have to work at. And one of the ways to work at it - perhaps the best - is storytelling: telling stories about yourself to others, telling stories about yourself to yourself, telling stories about others to others.
For me, as a documentary filmmaker, I'm interested in telling stories of real people whose experiences tell us something about ourselves or our history, or who we are and our potential.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view. So that's definitely a goal for me.
I've definitely written people e-mails telling them I've loved their stories, but that seems more like a professional journalist thing to do.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
I keep trying to train myself to stop saying 'filmmaker' and start saying 'storyteller.' We're telling stories.
I think that stories, and the telling of stories, are the foundations of human communication and understanding. If children all over the country are watching films, asking questions and telling their stories, then the world will eventually be a better place.
It's only the filmmaker. The script is really, really second. And there's a huge gap between filmmaker and script for me. I almost don't care about the story that they're telling; I really only care about who wants to tell it.
There's something exhilarating about telling stories that haven't been shared before and haven't been told publicly before. The last thing I want to be doing is telling stories other people have already told. That's not to say that there isn't important work out there about people in positions of power, but I know my strength. Even when I was at the Wall Street Journal 10 years ago, this is what I wrote about.
What we want to see is stories that are going to be honest stories about the characters that we're telling them about.
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