A Quote by Jose Antonio Vargas
People don't really assume that I'm Filipino. Of course, they're gonna think, 'Oh, are you some sort of Hispanic?' and you say, 'No, I'm actually not.' I get Korean or Chinese a lot.
Related Quotes
I'm a quarter Chinese and three-quarter Filipino. I don't look Filipino; I look more Chinese or Korean. It actually works in my favor: in terms of roles, it gives me a broader canvas.
Even though some heartless North Korean, Korean-Chinese, and Chinese citizens have exploited vulnerable defectors for money, I witnessed many acts of kindness by the Chinese.
It's very strange, for example, in North Korea where the volcano at the Chinese border is some sort of the mythical birthplace of the Korean people.
Many Chinese criticize me not only on Baidu but on Facebook. Some say, do you think Chinese authorities were stupid enough not to realize you were a North Korean defector? If they read my book, they'd understand. I did my best to escape. I think it's all a miracle. It's not because Chinese policemen were stupid enough to believe my fake story.
All of the Chinese people, the Asian people say, "Oh Yao Ming, you are all the Chinese, all of Asia's hopes." That's a lot of pressure. I'm just a basketball player.
That's a mistake I think that a lot of Western observers make is to assume that Korean nationalism is hundreds if not thousands of years old. When in fact nationalism is incompatible with Korean Confucian tradition.
Oh, no. I don't think I've ever really subscribed to that view, that you can turn it on and off like a water tap. Um, you know, I think that there's a whole lot that goes into the makeup of an individual that, uh, you just can't simply say, oh, like, "Tomorrow morning I'm gonna stop being gay." It's like saying, "Tomorrow morning I'm gonna stop being black."
It's a funny thing, I think people meet us and they assume that we know a lot more about politics than we actually do. People will really get into it. I'm like, I don't really know a lot about tariff reform or export trade reform. That's really not something I know about.
In any big spectacular, it's really difficult to have enough voices to cover all the vocal parts. To give the audience the complete experience they're expecting, there is some reinforcement, some playback that everybody's hearing. Sometimes it's background vocals, but sometimes it will be actually vocal tracks. It's so hard to ensure, with no safety net ... you're not gonna get another shot at it, you have to have stability. I think it's very naïve of a lot of people to think that when you see someone open their mouth, they're really singing.
A lot of times you see really good-looking guys on TV and you sort of assume that maybe there's some sort of vacuity behind them.
You have to be in California in order to write or direct movies. People say, "Oh, I'm gonna do it from Pittsburgh. I'm just gonna deliver scripts or fly out, like, once, then fly back." You have to make a full commitment. You have to actually get on a plane, come to L.A., rent a place, and live there. And that's how you forge your career. Not just sort of haphazardly. Once you've got a few hits under your belt, assuming you do, then go back and move away and correspond with the studio.
I think, as poets, we are in the odd position of constantly defending our art form. Which is funny and also sort of invigorating, too. No one really says, "Oh you're a lawyer? I've never understood the law. In fact, I kind of hate it." Or, "Oh you wait tables? I didn't know that was something people did." I say it can be invigorating because, on some level, we have to evaluate what we do and why we do it almost daily. We have to explain ourselves to people all the time. We have to say, "Yes, I am a unicorn, believe in me."
It can get discouraging - 'Oh, it didn't work,' or, 'Oh, I lost the baby,' or, 'I can't do this again.' You can. And when you get the kid, you'll be happy that you did. But it's a very painful process for a lot of people. You just have to figure out how it's gonna get done.
I get recognized by some people in my community, but not a lot. In fact, they would say, 'What do you do?' And I would say, 'Well, I did 'The Bernie Mac Show.'' And they would say, 'Oh, really? Well, do you know so-and-so?' And I'd say, 'Yeah, I hired them. I was the boss!' They don't believe it.
Most of my background is Filipino and partly Chinese, but mostly Filipino.
Some foods you may say, 'Oh wow, this is not food.' People actually eat that somewhere. I just want people to really understand that and really appreciate it.
Related Authors
Ambrose Bierce Quotes
American
Journalist
Andy Rooney Quotes
American
Journalist
Ann Coulter Quotes
American
Journalist
Anna Quindlen Quotes
American
Journalist
Bill Vaughan Quotes
American
Journalist
Dave Barry Quotes
American
Journalist
Dennis Prager Quotes
American
Journalist
Erma Bombeck Quotes
American
Journalist
Fran Lebowitz Quotes
American
Journalist
George Will Quotes
American
Journalist
Glenn Beck Quotes
American
Journalist
Hunter S. Thompson Quotes
American
Journalist
Mignon McLaughlin Quotes
American
Journalist
Molly Ivins Quotes
American
Journalist
Rachel Maddow Quotes
American
Journalist
Walter Lippmann Quotes
American
Journalist