A Quote by Jose Antonio Vargas

When I'm writing, I can always play around with tense. I can always make past present. I can always kind of manipulate, and I can always be delusional in a way that's completely self-serving. With film, it's like, the camera can't really lie. It can manipulate to a certain extent.
We must abandon completely the notion of blaming the past for any kind of situation we're in and reverse our thinking and see that the past always flows back from the present. That now is the creative point of life. So you see it's like the idea of forgiving somebody, you change the meaning of the past by doing that...Also, watch the flow of music. The melody as its expressed is changed by notes that come later. Just as the meaning of a sentence...you wait till later to find out what the sentence means...The present is always changing the past.
When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it out. You can hide your mistakes.
I'd have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didn't have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.
I used to make short films even as a kid. I used to have a camera and play around with it. So, I was always interested in the process and telling stories. I've always wanted to direct.
Id have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didnt have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.
The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
The condition of the theater is always an accurate measure of the cultural health of a nation. A play always exists in the present tense (if it is a valuable one), and its music -- its special noise -- is always contemporary. The most valuable function of the theater as an art form is to tell us who we are, and the health of the theater is determined by how much of that we want to know.
I believe in rules. I believe in artistic limitations, and I always have. I've always thought that setting out a set of rules before you start, and then being completely consistent with them, is the only way to make a really good film.
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
We think that the world is limited and explained by its past. We tend to think that what happened in the past determines what is going to happen next, and we do not see that it is exactly the other way around! What is always the source of the world is the present; the past doesn't explain a thing. The past trails behind the present like the wake of a ship and eventually disappears.
But surely to tell these tall tales and others like them would be to spread the myth, the wicked lie, that the past is always tense and the future, perfect.
It's so easy to manipulate an audience, but it's nearly always clear that you are being manipulated. I think even people that are not critically attuned are aware of cynical manipulation in film.
I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark.
My past was always there. And I always understood that I was adopted. It wasn't like a massive issue to me. But identity was an issue. I knew that I was Indian, but I didn't really know much about myself, really. I mean, I really disassociated myself from what happened in the past to present. But, it was affecting in regards to identity.
I'm always writing something. There's always some structure sitting around someplace. There's always things on the computer, things scratched on score paper, legal tablets full of lyrics. It's never not buzzing around me all the time. I'm always doing it.
I've always thought that you live in the present, you live in a specific present. You are writing, present tense, so write in the present as it is.
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