A Quote by Jose Bautista
I'm not an extravagant guy ... I don't like going over the top on anything. I have what I need and I try to keep it that way.
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I like Converse on a guy. I can't stand flip-flops or anything too over-the-top, flashy, or bright. Nothing too bulky. I'm a Converse girl myself, so I feel like we can bond over our love of simplicity and comfort.
We need art as much as we need good works. You need it like food. You need it for inspiration to keep going on the days that your low. We need each other in that way.
I'm not going to do anything out my way to try to get somebody to watch me because I want to act a buffoon. I want to build a character that I want my kids to look up to. It's OK to be the bad guy when it's time to be the bad guy, but to live and be the bad guy all day, every day? It's like, 'No, come on, man, you're making us look bad.'
When I face an opponent in the cage, it doesn't really matter who they are. Whether they're my buddy, like Scott Jorgensen, or someone I don't like, like Dominick Cruz, I'm going in there and realizing this guy is trying to hurt me, and that's what I'm going to do to him. I try to keep it real basic.
Certain guys are different. A guy like Marshawn Lynch, he's more of a running through a guy. Mine is to get a guy off balance and going through an arm tackle, go through a shoulder, those types of things. Get them going one way and try to hit the other side.
I was a defensive lineman coming out of high school who was considered amongst the top maybe the top six guys, top five guys, and wanted to prove to my team that I was going to be a top guy going into college.
I was a defensive lineman coming out of high school who was considered amongst the top... maybe the top six guys, top five guys, and wanted to prove to my team that I was going to be a top guy going into college.
I'm one of those guys who will drink to, uh, kind of celebrate. I don't drink too much when I'm down or anything like that. But you've really got to be, I guess the word that came to mind is "creative," about the way you're celebrating. You want to keep the celebration going. I've learned that lesson over and over. Here on the road there's a lot of cause for celebration, but you just gotta get the damper out a little bit, and you want to keep that governor on. You want to keep your give-a-shitter in kick.
Anything I do that's competitive, I try to win. That's the way I've always been, and I like to keep it that way no matter what I'm doing.
It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
There is no one who likes a challenge more than Tom Cruise. Believe me, there was never any discussion of lip syncing or another voice or anything like that, because if the guy's going to hang out on the top of the Burj, he's not going to let anybody do his singing for him.
I don't indulge in anything extravagant but I can't keep money in the bank.
I'm not necessarily the guy that's going to get in your face and scream at you or anything like that. I'll say what I need to, but I like my actions to show what I'm about.
Every year since we got started, I think that it's going to get harder to top it, but with all the support, somehow things keep getting better. That must mean we are doing something right, so we're just going to try to keep doing what we're doing.
If we're having a glitzy over-the-top moment, fashion is very glitzy and over-the-top, you know, over-the-top. If we're having a moment where things are, you know, we're in a recession, fashion becomes quiet. So, in terms of popular culture, fashion and especially women's fashion is incredibly interesting, aside from satisfying just a particular need to create and arrange things in a way that one sees as beautiful. And so, in a certain way, it's fulfilling. In another way, it's very fleeting because it doesn't last very long. You know, a beautiful moment in fashion goes away very quickly.
Another way of working is setting deliberate constraints that aren't musical ones - like saying, "Well, this piece is going to be three minutes and nineteen seconds long and it's going to have changes here, here and here, and there's going to be a convolution of events here, and there's going to be a very fast rhythm here with a very slow moving part over the top of it." Those are the sort of visual ideas that I can draw out on graph paper. I've done a lot of film music this way.
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