A Quote by Jose Bergamin

The first condition for making music is not to make a noise. — © Jose Bergamin
The first condition for making music is not to make a noise.
I make my music at night when there's no noise... Just me, my headphones and the silence. But I'm always making music in my head. It's like a non-stop radio!
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
making a noise in this world making a noise in this world you can bet your ass, I won't go quietly making a noise in this world.
We used to have endless discussions with journalists about that: 'Why are you calling it noise? It's not noise, it's music,' and make references to everybody from John Cage to whoever.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
If there's a buzzing-noise, somebody's making a buzzing-noise, and the only reason for making a buzzing-noise that I know of is because you're a bee.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
My concept when making music is that there is no border between music and noise.
The Apollo seats 3,600 people: I could hear them making a huge noise for Milton Jones and Lee Mack. If the audience doesn't make the same amount of noise for you, you feel like you've failed.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
The old age of women is bearable only on condition that they do not take up any room, do not make any noise, do not demand any service; on condition that they render all the service that is expected of them, and actually have no existence except for the good of others.
Social media buzz can lead to huge successes when people spread the word about something they love and want to share. But authors creating their own buzz? Making their own noise? It's hard to make a lot of noise on our own about our own work. Except, sadly, negative noise.
One option is to struggle to be heard whenever you're in the room... Another is to be the sort of person who is missed when you're not. The first involves making noise. The second involves making a difference.
Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the avant-garde folk scene have replaced it
Some people who make music are instantly very savvy about how they can get their music to communicate in a larger way. For me, the music was always first, and I put a lot of time and effort and thought into making the recordings. But everything else around it, all the things that were necessary to have a career in pop music, I was completely ill equipped to handle.
When you're 14, 15, and you get together and start making a noise, it is the world opening up. You have that indestructible feeling when you're young. But your ambitions when you are 13 are different when you're 25. By that time, your ambition isn't to be a star anymore; it's to make a living doing music.
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