A Quote by Jose Calderon
The more important thing is I wanted to show that I can play and have fun. In L.A. I couldn't because they were going in a different direction.
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Every time you show something to somebody they're going in one direction, when they see that thing you did they're going to go off track - maybe towards a direction that you think is more important. They'll be more discerning, they'll probably see things a little bit more profoundly, they'll spend more time trying to understand what's in front of them.
I always wanted to play with the older kids because they were better and it was more fun. It was harder, and I failed more, but it was more fun.
... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
I think, like all big things, you don't know they're going to be a big thing when you start. You just kind of, like, play because it's fun, and it's interesting, and then it turns out to be way more important than you expected.
I sort of was inspired by 'Friday Night Lights,' where it was a very different show, but similar in that they were both large ensemble dramas where you had many stories going on at once. I wanted to do a show that shared that element, and that's really why I wanted to develop 'Parenthood' as a series.
I think it's a fun thing, and perhaps maybe very so slightly as an American, it's a slightly different thing that they didn't do as much of when the show was 100 percent written by Brits just because I'm not sure they were quite as familiar with some of these little moments in our government system.
It's nice getting to play a different version of yourself. You sign on for a show and think you're just going to play one character for however many years, so it's nice, for an actor, to have a little bit of fun.
I originally read for the roles of Debra and Rita [in Dexter], because they didn't know what direction they were going in, and I worked so hard on Deb, because I just wanted to swear. I wanted to say all those nasty words. That was it: "I want to swear on television!".
I like to play football, and of course I like to play for Tottenham, but I try to enjoy every game because that's the most important thing, to have fun on the pitch, and then you can play good.
All I ever wanted to do was get a great job on a TV show. When I read 'Modern Family' and started looking at what was available - I obviously couldn't play Gloria; I couldn't play Claire. When I saw the character of Cam, I was like, 'I have to have a shot at this,' because I thought it was a character that would be really fun to play.
Back in World War II, we viewed the Japanese as 'yellow, slant-eyed dogs' that believed in different gods. They were out to kill us because our way of living was different. We, in turn, wanted to annihilate them because they were different. Does that sound familiar, by any chance, to what's going on today?
Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.
As an actor, doing animation is definitely on the list of most actors because it is such a freeing, fun, different experience than being on camera. There's just something different about it that's not more fun, but a different sort of fun.
I think there's just some fundamental decisions at the beginning that are going to make it different. Our show The Right Now Show is going to be specifically different than Mr. Show because of the talent involved.
The most important thing is that it's much more fun to play in a band than to be in an audience in a club. That's the main thing I think, that you can do it.
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