A Quote by Jose Feliciano
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
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The first album, for better or for worse, was done over from the ages of 17-22, with a couple of different producers. Some of it was recorded in an old swimming pool, some of it was recorded in a synagogue - it kind of was all over the place.
I emigrated to the U.S. on February 3, 1983, when I was 19 years old. I joined Steeler right away and recorded the album the following month. I'd been playing in bands in Sweden since the age of 11, but 'Steeler' was my first album.
The first record we made, we recorded and mixed in a day. The second record was recorded and mixed in a week. The third was recorded and mixed in a month, and 'New Wave' was mixed and recorded in six months. It was an epic project.
Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
'SMiLE' is perhaps the Beach Boys' most legendary album. It was recorded in 1966 and 1967 but only saw a formal release in 2011. That's a long time to wait for what was said to be Brian Wilson's masterpiece.
I was 19 when I recorded my first album, and I've been exposed to many things during these last few years; all the baby fat is gone.
I never recorded the music because I wanted to be a millionaire. I recorded it because I love music.
When I recorded my first album, my ego didn't let me believe that what I was gonna say on the mic, anyone would really care about. But then when I found out that they did, I started to take it more seriously.
I'm constantly revising and updating a piece until it's finally recorded. Once it's recorded, then it's over.
I am thrilled to have been able to put together this new album. I listened to everything I had recorded in the 24 years with Elektra, and then just took all the ones I am mad about.
When I got the 'Blue Album,' I was 11 years old, 10 years old, and then I convinced my parents to go and get my first drum kit, which was, like, 600 bucks.
In New Zealand, we have a one-party disclosure system, where if one of you knows you're being recorded, it's completely fine. It doesn't matter if the other person doesn't know. Look, I'm not breaking new ground by recording people who don't want to be recorded.
In 5,000 years of recorded human history... neither in the east or in the west... has any society ever defined marriage as anything other than between men and women. Not one in 5000 years of recorded human history.
That's an astounding fact and it isn't until the last 12 years or so that we have seen for the first time in recorded human history marriage defined as anything other than between men and between women.
Of the 25 songs we've recorded there were 24 that we wanted to have on an album. That wouldn't have worked. So when one of our wise managers suggested the idea of considering two different album, it cleared the way for us.
I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.
Having recorded his first album, 'Tapestry,' in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the 'generation lost in space.'
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