A Quote by Jose Feliciano

One day I heard Ray Charles on the radio and I found out he was blind. I thought, 'You know what, if there's room for Ray, there might be room for Jose.' — © Jose Feliciano
One day I heard Ray Charles on the radio and I found out he was blind. I thought, 'You know what, if there's room for Ray, there might be room for Jose.'
Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.
I would've given my right arm to do something on the 'Ray' film, the movie about Ray Charles.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
I think Ray Charles did as much as anybody when he did his country music album. Ray Charles broke down borders and showed the similarities between country music and R&B.
One day, I'll be listening to a bunch of Ray Charles, the next day it's nothing but Red Hot Chili Peppers. The next day it might be Tupac all day.
When I'm just tryna funk, it's gonna be the Staple Singers, man - Pop Staples. And Ray Charles. Ray could take 'Eleanor Rigby' and make that funky.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
The reason I wanted to become an organ player was because I heard Ray Charles play on Quincy Jones' arrangement of "One Mint Julep." I heard that sound, and it just struck me. I thought that's what I want to do with my life. That's the sound I want to try to make.
I show more blind rage than Stevie Wonder and Ray Charles wrestling in a steel cage.
I don't like that word 'discovery.' ... Sinatra was the first one to call Ray Charles a genius, he spoke of 'the genius of Ray Charles.' And after that everybody called him a genius. They didn't call him a genius before that though. He was a genius but they didn't call him that. ... If a white man hadn't told them, they wouldn't've seen it. ... Like, you know, they say Columbus discovered America, he didn't discover America.
I haven't really heard much that's impressed me the way it was when I first heard Ray Charles or somebody like that. That was really an impression.
I didn't even respect singers until I heard Ray Charles, Frank Sinatra and Louis Armstrong.
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