Some people go off to an ashram or they, you know, have a midlife crisis and buy a sports car. For me, I do 'Hedwig,' and I see it's a midlife crisis maybe, and I see what's next. And it's a good trampoline, maybe, into the next part of my life.
People look at the future and see a black hole. They look at climate change and see an ecological crisis. They look at their leaders corrupted by money and see a political crisis. They wonder if they'll ever be able to pay off their student loan or own a house. Given this ecological, political and financial crisis, what they want is a different future. Their fundamental demand is a different regime to provide that future.
You can't look back at the worst financial crisis of our lifetimes that started in 2008 and not have some important lessons about the critical nature of oversights in financial markets and institutions.
When you see weakness in a hero, you are doing something to his identity. You take something away from the kids, the next generation; you steal away giving them anything to look up to.
I think in terms of me shying away from modelling, I would like to clarify in some way that I was taking a break from many things in my life and obviously what people in the public see is that I'm pulling away from what is more public.
I always tell people there's nothing greater than a crisis to create a breakthrough. Because that's when we breakthrough usually - most people don't proactively breakthrough - they breakthrough because they have to. And the beauty of crisis is it doesn't feel beautiful, is it melts us down. And when you're melted down you can recast your life in a new way.
Part of the responsibility of the technology industry is to anticipate the challenges of the vast majority of its future users and proactively start thinking about them now and proactively build products that address those challenges.
The times are too difficult and the crisis too severe to indulge in schadenfreude. Looking at it in perspective, the fact that there would be a financial crisis was perfectly predictable: its general nature, if not its magnitude. Markets are always inefficient.
In all of the movies and films you see, people are always in crisis because that's what we watch. We watch them deal with crisis and resolve it.
Markets are a social construction, they're made from institutions. We in a democratic society create markets, we constitute markets, we bring them into existence, and we shouldn't turn markets over to a narrow group of people who regulate them and run them in their interests, rather they should be run democratically for the common good.
At a show, I'll look out from the stage and see a woman with a pearl necklace next to a guy in a Grateful Dead T-shirt next to a young kid with his mom. It's fun to see them all together.
I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.
When people are always telling you that you have to have a lot of women, women are very important, there's a chance that you might actually begin to observe them on a more fundamental level. Then you get so much focus that one day you might actually see. Dominican men are told to look at women all the time, but they're definitely not told to see them.
I believe in a free market of ideas and not shying away from debate.
We already know enough to begin to cope with all the major problems that are now threatening human life and much of the rest of life on earth. Our crisis is not a crisis of information; it is a crisis of decision of policy and action.
Looking back across the years, so many pictures flash on the screen of my memory that just as I begin to see one clearly, another slides in, blotting out the first, itself to be pushed aside by the next and the next and the next.