A Quote by Jose Garces
Some of the best cooks that I've cooked with, whether it's in New York or Chicago or even here in Philadelphia, are actually Ecuadorians. And there's something about their palates that really just inspires me, and has a really deep sense of flavor.
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I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.
I think the audiences in Chicago are really open. They're engaged and eager, and they don't feel cynical to me. Sometimes in New York, there's a sense of, 'Prove it to me; prove this is worth my time.' I never felt that in Chicago.
Whether it's on the streets of Philadelphia or New York or Chicago or Atlanta or in a classroom in Newtown, Connecticut, people want to be safe.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
Obviously, you've spent some time in New York. I moved there and it was a bit much. It was a bit overwhelming for me. I didn't want to go out. I just felt a little homesick. I was just waiting to feel excited about something. I went through a phase of feeling kind of dull. It's really easy to shut off in New York and stay in your apartment.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
New York City revived around the team. I don't think you can look at the recovery of New York from the 1970s without, on some level, talking about Steinbrenner. Even if you're just talking about the feel of the city, he was part of a creation of a new sense of optimism.
Being in New York as a whole, Brooklyn as well, you can do anything you want. That's by far the best part about New York, besides just the hustle and grit and grind of Brooklyn specifically, but the best food. Anybody you want to get in contact with, odds are if they don't live in New York, they're passing through New York at some point in time.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
I love Chicago. It's one of the great cities. I'm crazy about the town. It reminds me of New York when it was at its best, the New York that used to be and is no more. I love the architecture, the old stuff and the new stuff.
Growing up in the suburbs of Chicago and living in New York, it didn't even strike me as a possibility that a place could really exist without tons of Jews.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.
Even to be flown out to New York was mind boggling for me, and signing with Columbia was great because they really understood my vision. Of all the labels that I met, they were the ones that really seemed to understand that I was really about the music, the writing, and the lyrics, so it was really fulfilling to sign with them.
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