A Quote by Jose Jose

My father was an opera singer who constantly tried to persuade me not to enter into an artistic career. — © Jose Jose
My father was an opera singer who constantly tried to persuade me not to enter into an artistic career.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
As a young singer, you have to get experience somehow, to try things out and grow as a singer. They way you do that is by going through the ranks and singing at companies like Opera Birmingham. It's a perfect place to foster a career.
In opera tradition, when opera die-hard fans, there is a replacement of singer or singer wasn't at his or hers vocal best, doing something, they boo. Especially now that they pay hundreds of dollars for the ticket.
There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.
My mother was an opera singer and my father is a clarinet player, composer and conductor.
I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
My father's an opera nut, and my stepmother used to work at the Metropolitan Opera, so I had a lot of opera immersion. I like the grandness and pretention of it.
I've played football with George Best, the greatest footballer that ever lived. That doesn't make me a footballer. And I've sung a duet with Pavarotti. That doesn't make me an opera singer. I can write and I have a story to tell, but I'm not going to make a career out of it.
I was an acting opera singer, and that's one of the reasons I left opera.
One of my sisters wanted to be an opera singer. So, we spent a few dollars to try to train her, because Italian people would like to have an opera singer in the family. But she's got trouble coughing, let alone singing. One day, she was in the shower singing 'Madame Butterfly,' three days later the Japs attacked Pearl Harbor.
I think I've been influenced by everything I've ever heard. The first thing I ever heard was my grandma, who was an opera singer. The first song I ever learned was the 'Nessun Dorma' from Puccini's 'Turandot.' My father was a big band singer, so I used to hear him walking around the house singing standards all the time.
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
I wanted to honor the memory of my father, who was a great opera singer and died very young, without knowing my success. As I inherited his voice, it is in recognition of that heritage.
I was more of a light opera singer, not really much of a lounge singer.
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