A Quote by Jose Jose

I really like acting, but logically getting on stage to transmit the work of a composer who is inspired by God is something magical. — © Jose Jose
I really like acting, but logically getting on stage to transmit the work of a composer who is inspired by God is something magical.
To me acting is a hobby and I'm inspired by it. And if I'm going to spend time doing something that I'm not really inspired to do, then why am I doing it? I don't know if that sounds sort of new agey or whatever, but it's true. I've been lucky enough to have a musical career that has gone pretty good and acting is something I have always wanted to do.
Transmit your vision emotionally by gaining credibility, demonstrating passion, establishing relationships and communicating a felt need. Transmit it logically by confronting reality, formulating strategy, accepting responsibility, celebrating victory and learning from defeat.
In a way, the highest praise you could give to a composer like Bach was to take and make your own arrangement; it was sort of an homage to that composer and to his work, so it wasn't considered sacrilegious to do something like that.
I'm only 18 and playing on this big stage; sometimes you have to be really good in front of the goal. I feel like that's something that I really have to work on, and that's something that I'm going to work on in training.
I'm really getting into acting and TV. 'Sports Illustrated' is a big, iconic brand I'd like to work for, too. But TV and acting is really funny and a bit more exciting than shooting all the time.
Acting time is like flight time: You can work on a simulator, you can rehearse, but unless you're really in front of the camera or on a stage - that's when you really learn how to work it.
The greatest composer does not sit down to work because he is inspired, but becomes inspired because he is working.
The great composer does not set to work because he is inspired, but becomes inspired because he is working.
The only thing that matters to me is getting to the work - getting to do the work. And I don't really care where it is: whether it's on stage or on television or in film.
I mean, the only thing that matters to me is getting to the work - getting to do the work. And I don't really care where it is: whether it's on stage or on television or in film.
I think one of the things that might distinguish me is when I'm going to work as an actor I really try not to worry about my own personal hang-ups and just really concentrate on the work. Because I have such a respect for acting, which is something I feel like I'm constantly learning how to do, that all of my energy is always focused on the acting itself.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
If I do a play, it's my vision, and everybody else is working on the production to support that. If I do an opera, I feel like part of my job is to support that composer, to try and create something that allows the composer to do his or her best work. In movies, it's usually the director.
I attend film school, my background is acting and directing. But the acting does best, I like to work on the stage.
For me, someone like the Eddie Murphy character doesn't live anywhere; he lives on a stage and when he's not on the stage he's on a bus getting to the next stage. You don't really want to see him at home, or all those things you can do in the movie.
I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.
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