A Quote by Jose Jose

Actually, the first songs I learned were imitations of Johnny Mathis. — © Jose Jose
Actually, the first songs I learned were imitations of Johnny Mathis.
I love listening to the oldies like Johnny Mathis, Bing Crosby and Dean Martin - songs I grew up hearing and still know every word.
I am never going to sound like Johnny Mathis.
I love Neil Young. His songs were the first songs I learned to play, and I recommend anyone who is starting guitar to learn Neil Young songs first.
I imagine Johnny Mathis hates Bin Laden as much as I do, but could Johnny agree Bin Laden had a better speechwriter than Bush? "Axis of Evil"? Come on. "A swimmer in the ocean does not fear the rain" is much more powerful propaganda. Poetic, even.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
I went along and basically learned a few of the songs they were doing at the time, which were quite a few of the songs we ended up doing on our first album.
My first influences for playing were Johnny Ramone and Jimmy Page, the same as everybody else. Joe Perry. The guys in Alice Cooper's band, whatever their names were. Mick Ronson from David Bowie. You know who really influenced me to write songs? Iron Maiden.
I listened to everything. To the early Motown groups - the Four Tops and the Temptations - to Johnny Mathis, Gloria Lynne - my sisters loved her. Sarah Vaughan. Everything.
I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.
I don't own any of these names. I don't own Johnny World, Johnny Mundo, John Morrison, Johnny Nitro, Johnny Blaze or Johnny Impact. None of it.
When we came up, Clive Davis and other record execs would do anything to keep Miles Davis, Aretha Franklin, even Johnny Mathis intact, because they wanted to keep alive a musical legacy. As a result, those artists were able to spend 30 to 40 years in the business and still make a living, still have a fan base.
My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
I took my mother's knife and played johnny johnny johnny on the playhouse floor. I was drunk, stabbed myself every few throws. I held my hand up and there was satisfaction at seeing my blood, the way there was when I saw the red gouges onmy face that people stared at and turned away. They were thinking I was beautiful, but they were wrong, now they could see how ugly and mutilated I was.
My mom was an amazing singer and music was a big part of my life, so I grew up listening to Nat King Cole, Johnny Mathis, Henry Mancini; I used to watch 'The Andy Williams Show' on TV. I was very musical, so I was watching stuff that most kids my age wouldn't be interested in.
My cousin is Johnny Nash, 'I Can See Clearly Now' Johnny Nash. So I know what to do just by watching what he did. He had a brilliant career. He wrote one of the biggest songs in music history.
As time went on, we formed a number of different bands. We played in rival, neighborhood bands. We learned more songs and we learned how to play Chuck Berry music and we learned Ventures songs.
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