When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
My kids download 10 games. They play them all for two minutes. They throw away the eight they don't like. Then they play those last two obsessively for a month. That's alien to those of us who buy a $60 game and play it for 40 or 50 hours. The discovery mechanism is completely social, and I don't think you get that genie back in the bottle.
Yes, there are times where I might play one bad service game a set. If you look at Sampras, he might play one slightly suspect service game every three sets. So to beat someone like that you've obviously got to be right on top of your game. I've basically got to get rid of that in my game so it makes me very difficult to beat.
Players can play bad, and certainly when you have only three days or six days training sessions in your legs, and you have to play 45 minutes. Everybody can say that it's easy to step in, but it is not easy.
In the NFL you can't say this game is the biggest game ever and you get all pumped up and you go win and then you're like 'alright we did it' and then you go out and you play bad for the next two or three. Like every week you've got to be ready to go because they're all big games.
Everybody wants to play in Europe, and if you're in the rhythm of playing a game every three or four days, sometimes you can play better, even though it's harder at the end of the season.
I had the chance to play with Benny 'The King' Carter here in Copenhagen for three days in the Montmartre, and two days in Paris. 'What a Thrill.' He knows so much music, and he is the only person that I get the shakes trying to play my horn behind or with him (smile). However, it was a ball.
I remember many a time, going into someplace like Wrigley Field - where you could cut the humidity with a knife - and playing a doubleheader. I loved to play the game. It didn't matter if it was a doubleheader, or a single game, or a day game after a night game. I wanted to play.
I met a girl, and two months after we met I wrote 'Nevermind.' And 'Never Go Back' is actually a song I wrote two or three days after the breakup, after a year and a half. Straight continuation of the story.
I love to work anywhere, but because there is so much attention after 'The Square' my three agents wanted me to quit the play when I did it. I refused as I thought it was an interesting and brilliant play, and I didn't just want to run straight off to Hollywood.
The longer you play, the more you realize that you can't lose focus for one play or two plays or an entire drive. Those things are the difference between wins and losses. You have to figure out how to refocus after a bad play or how to stay focused when you're up in a game. Those are things you learn from experience in playing this position. I've learned a ton of ways and have different triggers for how to regain my focus if I've lost it.
Of course, the best thing, if you play in the Premier League, you can always develop further as a player, and you are playing against the best players. You are also playing game after game all the time, two or three games a week.
Rugby is a different game. There is an interruption every two minutes also in American football. Our soccer is a moving game: play, play, play, move, move - you don't interrupt.
I've always been scared to do a play. I don't know why, because doing 'Happy Days' was like a play with three cameras.
I like English football because you play all the games from the start of the Premier League to the very last game always 100%. Even when squads in the last two or three games have just been relegated, they still play 100%.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.