A Quote by Jose Ortega y Gasset

tragedy in the theater opens our eyes so that we can discover and appreciate the heroic in reality. — © Jose Ortega y Gasset
tragedy in the theater opens our eyes so that we can discover and appreciate the heroic in reality.
In fact he enables us not by making us supernaturally strong, but by opening our eyes. The Holy Spirit is that power which opens eyes that are closed, hearts that are unaware and minds that shrink from too much reality.
It's hard to tell / if we close our eyes or if night / opens in us other starred eyes, / if it burrows into the wall of our dream / till some other door opens. / But the dream is only the flitting costume of one moment, / is spent in one beat / of the darkness, / and falls at our feet, cast off / as the day stirs and sails away with us.
It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality.
It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.
That we do not discover reality but rather invent it is quite shocking for many people. And the shocking part about it - according to the concept of radical constructivism - is that the only thing we can ever know about the real reality (if it even exists) is what it is not. It is only with the collapse of our constructions of reality that we first discover that the world is not the way we imagine.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
Art gives to you a new conception of reality, opens your mind, opens your heart, opens your desire of action.
Tragedy enlightens - and it must, in that it points the heroic finger at the enemy of man's freedom. The thrust for freedom is the quality in tragedy which exalts. The revolutionary questioning of the stable environment is what terrifies.
Science teaches you to open your eyes and appreciate the reality around you. Religion teaches you to close your eyes and cling to the fantasy within you.
A comedy is just a tragedy interrupted, I once said. Do you finish with the kiss or when she opens her eyes to tell him she loves him and sees blonde hairs on his collar?
Nothing is more theater-based than wrestling. It's Greek-tragedy-level theater.
Pathos activates the eyes and ears to see and hear. At times of pathos, illness opens doors to a reality which is closed to a healthy point of view.
Art does not solve problems but makes us aware of their existence. It opens our eyes to see and our brain to imagine.
Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world
Rather, it is the opening or the interruption that allows us to experience what is hidden, and to accept with our hearts our given situation. When film does this, when it subverts our absorption in the temporal and reveals the depths of our own reality, it opens us to a fuller sense of ourselves and our world. It is alive as a devotional form.
The thankful heart opens our eyes to a multitude of blessings that continually surround us
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