A Quote by Jose Ortega y Gasset
The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands.
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The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him.
From whence it is obvious to conclude that, since our Faculties are not fitted to penetrate into the internal Fabrick and real Essences of Bodies; but yet plainly discover to us the Being of a GOD, and the Knowledge of our selves, enough to lead us into a full and clear discovery of our Duty, and great Concernment, it will become us, as rational Creatures, to imploy those Faculties we have about what they are most adapted to, and follow the direction of Nature, where it seems to point us out the way.
I don't expect Christians to see God as a metaphor, but that's what he is. Perhaps it might be clearer to call him a character in fiction, and a very interesting one too: one of the greatest and most complex villains of all - savage, petty, boastful and jealous, and yet capable of moments of tenderness and extremes of arbitrary affection - for David, for example. But he's not real, any more than Hamlet or Mr Pickwick are real. They are real in the context of their stories, but you won't find them in the phone book.
The greatest gift that God in His bounty made in creation, and the most conformable to His goodness, and that which He prizes the most, was the freedom of will, with which the creatures with intelligence, they all and they alone, were and are endowed.
The fatal metaphor of progress, which means leaving things behind us, has utterly obscured the real idea of growth, which means leaving things inside us.
Depression tends to turn us away from the everyday things of God’s creation. But whenever God steps in, His inspiration is to do the most natural, simple things- things we would never have imagined God was in, but as we do them we find Him there.
I find that many men and women are troubled by the thought that they are too small and inconsequential in the scheme of things. But that is not our real trouble - we are actually too big and too complex, for God made us in His image and we are too big to be satisfied with what the world offers us!.. Man is bored, because he is too big to be happy with that which sin is giving him. God has made him too great, his potential is too mighty.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
Is it any wonder the power this man held over me - this man who did not run from his demons like most of us do, but embraced them as his own, clutching them to his heart in a choke-hold grip. He did not try to escape them by denying them or drugging them or bargaining with them. He met them where they lived, in the secret place most of us keep hidden. Warthrop was Warthrop down to the marrow of his bones, for his demons defined him; they breathed the breath of life into him; and without them, he would go down, as most of us do, into the purgatorial fog of a life unrealized.
Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.
If we feel that any habit or pursuit, harmless in itself, is keeping us from God and sinking us deeper in the things of earth; if we find that things which others can do with impunity are for us the occasion of falling, then abstinence is our only course. Abstinence alone can recover for us the real value of what should have been for our help but which has been an occasion of falling. ... It is necessary that we should steadily resolve to give up anything that comes between ourselves and God.
The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies "out there" in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the best agent of conceptual transition.
Clay can be a metaphor for many things. I made it a metaphor for flesh and earth, and these are two kinds of generic givens of life, if you look at it poetically, biblically, the idea of the life of beings, of man, being transitory, the earth abides-ashes to ashes, dust to dust-man returns to earth, grows out of earth like a flower, wilts, goes back to the earth... We are frail, transitory creatures with aspirations of immortality, conscious of our inevitable death, and we have to deal with it somehow.
Man is not the most majestic of the creatures; long before the mammals even, the dinosaurs were far more splendid. But he has what no other animal possesses: a jigsaw of faculties, which alone, over three thousand million years of life, made him creative. Every animal leaves traces of what he was. Man alone leaves traces of what he created.
We speak of 'software eating the world,' 'the Internet of Things,' and we massify 'data' by declaring it 'Big.' But these concepts remain for the most part abstract. It's hard for many of us to grasp the impact of digital technology on the 'real world' of things like rocks, homes, cars, and trees. We lack a metaphor that hits home.
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
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