A Quote by Jose Raul Capablanca
The great World Champions Morphy, Steinitz, and Lasker were past masters in the art of Pawn play; they had no superiors in their handling of endgames. The present World Champion has not the strength of the other three as an endgame player, and is therefore inferior to them.
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The aggregate energy of all the great masters of the past and those of the present communicates the greatest possibilities of art. It is from this position that the artist attains colossal strength.
I never started in boxing to be a British champion or a world champion. There are loads of world champions in Britain, and if you mention them to someone out there on the street, nobody knows who they are.
Steinitz was a thinker worthy of a seat in the halls of a university. A player, as the world believed he was, he was not; his studious temperament made that impossible; and thus he was conquered by a player and in the end little valued by the world, he died.
This is a world that is much more uncertain than the past. In the past we were certain, we were certain it was us versus the Russians in the past. We were certain, and therefore we had huge nuclear arsenals aimed at each other to keep the peace. That's what we were certain of... You see, even though it's an uncertain world, we're certain of some things. We're certain that even though the "evil empire" may have passed, evil still remains.
I'm here at Madison Square Garden as world champion and have a world champion's mentality, the pressures on to defend my belt - this is what champions do.
We think that the world is limited and explained by its past. We tend to think that what happened in the past determines what is going to happen next, and we do not see that it is exactly the other way around! What is always the source of the world is the present; the past doesn't explain a thing. The past trails behind the present like the wake of a ship and eventually disappears.
On golfer Rory McIlroy's collapse in the final round of the 2011 Masters: We had hoped to compare the young Northern Irishman to the great Masters champions but instead had to reach for the compendium of great golfing train wrecks.
No other great master has been so misunderstood by the vast majority of chess amateurs and even by many masters, as has Emanuel Lasker.
I was world's champion in every aspect of the life. Whether it was sitting in a steak house eating a steak or getting onto the edge of the ring with two or three people standing there, it was all the same to me. I was world's champion, and for that reason, I was world's champion.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
If any influential nation had the great spiritual strength to lay down its arms and appear with clean hands before the world, the world would be changed. I see no evidence that any influential nations has such great spiritual strength and courage. Therefore disarmament will be a slow process, motivated by the wish to survive.
Even before the World Cup in 2010 I had said that there were no world champions who aim to stifle the opposition's play and somehow hope to win. These teams do not go far.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
How can we satisfy ourselves without going on in infinitum? And, after all, what satisfaction is there in that infinite progression? Let us remember the story of the Indian philosopher and his elephant. It was never more applicable than to the present subject. If the material world rests upon a similar ideal world, this ideal world must rest upon some other; and so on, without end. It were better, therefore, never to look beyond the present material world.
His teaching became a turning point in chess history: it was from Steinitz that the era of modern chess began. The contribution of the first world champion to its development is comparable with the great scientific discoveries of the 19th century.
The great mobility of the King forms one of the chief characteristics of all endgame strategy. In the middlegame the King is a mere 'super', in the endgame on the other hand - on of the 'principals'. We must therefore develop him, bring him nearer to the fighting line.
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