A Quote by Jose Raul Capablanca
Endings of one rook and pawns are about the most common sort of endings arising on the chess board. Yet though they do occur so often, few have mastered them thoroughly. They are often of a very difficult nature, and sometimes while apparently very simple they are in reality extremely intricate.
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He hated games they made the world look too simple. Chess, in particular, had always annoyed him. It was the dumb way the pawns went off and slaughtered their fellow pawns while the king lounged about doing nothing. If only the pawns would've united ... the whole board could've been a republic in about a dozen moves.
Fortunate people often have very favorable beginnings and very tragic endings. What matters isn't being applauded when you arrive - for that is common - but being missed when you leave.
My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
I find it ironic that happy endings now are called fairytale endings because there's nothing happy about most fairytale endings.
Sometimes love does not have the most honorable beginnings, and the endings, the endings will break you in half. It's everything in between we live for.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are no happy endings... There are no endings, happy or otherwise. We all have our own stories which are just part of the one Story that binds both this world and Faerie. Sometimes we step into each others stories - perhaps just for a few minutes, perhaps for years - and then we step out of them again. But all the while, the Story just goes on.
I often find that writers who disavow the importance of an ending are just not very good at endings.
In a rook and pawn ending, the rook must be used aggressively. It must either attack enemy pawns, or give active support to the advance of one of its own pawns to the queening square.
Human life very much resembles a game of chess: for, as in the latter, while a gamester is too attentive to secure himself very strongly on one side of the board, he is apt to leave an unguarded opening on the other, so doth it often happen in life.
That's how life is. Sometimes there are happy endings, sometimes there aren't, and more often there are shades of gray.
The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
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