A Quote by Jose Saramago
This must be what it means to be a ghost, being certain that life exists, because your four senses say so, and yet unable to see it.
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Every comedian has a moment in his life when he realizes he's a little bit different from everyone else. It's like being the only guy in a movie who sees the ghost. The ghost talks to you and you talk to him. Then you turn to your friend and say, "Hey. Do you see that ghost? And he says, What ghost?"
Why all this insistence on the senses? Because in order to convince your reader that he is THERE, you must assault each of his senses, in turn, with color, sound, taste, and texture. If your reader feels the sun on his flesh, the wind fluttering his shirt sleeves, half your fight is won. The most improbable tales can be made believable, if your reader, through his senses, feels certain that he stands at the middle of events. He cannot refuse, then, to participate. The logic of events always gives way to the logic of the senses.
When someone is seeking, it happens quite easily that he only sees the thing that he is seeking; that he is unable to find anything, unable to absorb anything, because he is only thinking of the thing he is seeking, because he has a goal, because he is obsessed with his goal. Seeking means: to have a goal; but finding means: to be free, to be receptive, to have no goal. You, O worthy one, are perhaps indeed a seeker, for in striving towards your goal, you do not see many things that are under your nose.
Seeing, in the finest and broadest sense, means using your senses, your intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.
No one is indispensable to anyone else. You imagine you're necessary to him or that he will be very unhappy if you leave him, but I'm sure that if you do, within three months he will have fitted another face into your role and you'll see that no one is suffering because of your absence. You must feel free to do whatever feels best to you. Being someone's nurse is no way to live unless you're unable to do anything else. You have to say something on your own and you ought to be thinking, first and foremost, about that.
I am now going to make you a gift that will stay with you the rest of your life. For the rest of your life, every time you say, "We've always done it that way," my ghost will appear and haunt you for twenty-four hours.
I regard as a mortal sin not only the lying of the senses in matters of love, but also the illusion which the senses seek to create where love is only partial. I say, I believe, that one must love with all of one's being, or else live, come what may, a life of complete chastity.
Love is when I am concerned with your relationship with your own life, rather than with your relationship to mine. . . . there must be a commitment to each other's well-being. Most people who say they have a commitment don't; they have an attachment. Commitment means, "I am going to stick with you and support your experience of well-being." Attachment means, "I am stuck without you."
As actors and actresses, we must rejoice in the possession of our physical faculties. We must experience joy in the use of our hands, arms, body etc. Without this appreciation and realization of the body and its many possibilities, we cannot perform as artists
You should feel a flow of joy because you are alive. Your body will feel full of life. That is what you must give from the stage. Your life. No less. That is art: to give all you have. And what have you? Your life-nothing more. And to give life means to feel life throughout your whole being.
In the earliest years of the AIDS crisis, there were many gay men who were unable to come out about the fact that their lovers were ill, A, and then dead, B. They were unable to get access to the hospital to see their lover, unable to call their parents and say, 'I have just lost the love of my life.'
To our senses, the elements are four and have ever been, and will ever be for they are the elements of life, of poetry, and of perception, the four Great Ones, the Four Roots, the First Four of Fire and the Wet, Earth and the wide Air of the World. To find the other many elements, you must go to the laboratory and hunt them down. But the four we have always with us, they are our world. Or rather, they have us with them.
The first five minutes in Gramacho is really overwhelming because all of your senses are being attacked. Visually, too, because your eyes move and see fragments of things you recognize, but not quite, so it's very artistic. Your eyes are moving, then there's the smell, and the noise is unbearable.
With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have.
The Chinese say that there is no scenery in your home town. They’re right. Being in another place heightens the senses, allows you to see more, enjoy more, take delight in small things; it makes life richer. You feel more alive, less cocooned.
A person is alive only to the degree that he or she is aware. To make the most of life we must constantly strive to be aware of the importance of being aware. Be aware of your senses and use them: So often we are distracted and unconscious of the riches our senses can pour into our lives. We eat food without tasting it, listen to music without hearing it, smell without experiencing the pungency of odors and the delicacy of perfumes, touch without feeling the grain or texture, and see without appreciating the beauty around us.
This above all-ask yourself in the stillest hour of your night: must I write? Delve into yourself for a deep answer. And if this should be affirmative, if you may meet this earnest question with a strong and simple "I must," then build your life according to this necessity; your life even into its most indifferent and slightest hour must be a sign of this urge and a testimony to it. Then draw near to Nature. Then try, like some first human being, to say what you see and experience and love and lose.
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