A Quote by Jose Saramago
When I am occupied with a work that requires continuity - a novel, for example - I write every day.
Related Quotes
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I cannot write a novel because I cannot work in continuity. My works are more abstract, may be, I will try short story writing.
In order that a "self" may exist there must be some continuity of mental experiences and, particularly, continuity bridging gaps of unconsciousness. For example, the continuity of our "self" is resumed after sleep, anaesthesia, and the temporary amnesias of concussion and convulsions.
I feel that whatever virtues the novel may have are very much connected with the limitations you mention. I am not writing a conventional novel, and I think that the quality of the novel I write will derive precisely from the peculiarity or aloneness, if you will, of the experience I write from.
Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .
I am a big guy and happen to play a position that requires you to be relatively quick. I can't let up now. I have to work every day to be better next year.
I only can write a book every two years, you know. And I write very fast, but I'm not always writing every day. I needed a contact with different things, like nature, for example. I cannot be in front of a computer trying to tell a story.
You have to have great passion, because to sing operatic music requires lots of work. I study for at least two hours every day. The voice is like an instrument and requires constant exercise.
I write every day for most of the work day, and I try to write 2,500 words per day... If I don't make it a routine and treat it like a job, I'd never get anything done.
For me, there is nothing better than being able to work with my dad every day. But, I know that isn't God's plan for everyone. Fathers, trust God and be a great example for your sons. Even if I didn't work with my dad, the example he set in his personal and public life - as my dad and as a husband, a brother, and a son - is a major part of the reason I am who I am today. Inspire them, encourage them, and guide them. Do everything you can to instill the right values and a strong faith that can carry them through even the toughest times.
Write a little bit every day, each day. Visit it, every day - in other words, show up for work.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I write whenever it suits me. During a creative period I write every day; a novel should not be interrupted. When I cease to be carried along, when I no longer feel as though I were taking down dictation, I stop.
I always was interested in prose. As a teenager, I published short stories. And I always wanted to write the long short story, I wanted to write a novel. Now that I have attained, shall I say, a respectable age, and have had experiences, I feel much more interested in prose, in the novel. I feel that in a novel, for example, you can get in toothbrushes and all the paraphernalia that one finds in dally life, and I find this more difficult in poetry.
Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.
I don't impose political responsibilities on my fiction. The last thing I would ever want to do, for example, is write a novel that would appear to want to tell people what to think about the immigration debate, and I would never write a novel whose sole ambition was to give a "positive" view of immigrants. I'm for open borders, by the way - down with the nation state!
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