A Quote by Josef Albers

We never really perceive what color is physically! — © Josef Albers
We never really perceive what color is physically!
We never really perceive what color really is, as it physically is. This fact makes color the most relative medium in art.
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art.
The information is there, you may not perceive it, but it does affect the lower orders. There are places where it just peaks out. It is like the color spectrum, it just simply goes beyond where you can perceive it any more but it is still going on. If you decide that the invisible continuation of the color spectrum is important to your sense of what reality is about, then you would want to extend it. Extend it as far as you could, as an aesthetic.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
Color is everywhere, so everything has changed. I still can't see color, but I can perceive it. I can experience it in a way that allows me to be a part of this reality, which I was excluded from before. Thanks to the eyeborg, I've made a career by combining music and art.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
A recording of a moment in time, where I was physically there, and it's now in a song for all eternity, in a way. It's really weird. I had written the song, but I'm also physically there in a way I'm physically inside the song, because I've recorded something that's in there.
Samsara is the world appearance, the cycle of rebirth, the physically manifest universes and states of mind that you perceive through the medium of ego.
It was never physically dangerous except when I nearly fell off a horse, but it was physically arduous - especially when you were working late at night.
Millennials really don't perceive hierarchies. They either don't perceive them or don't like them.
It's physically hard for me to work. I start to break down, physically. My joints start. I get weepy eyes. I don't sleep well. I was never a hard worker, I guess. So the voiceover work ethic is really great for me - couple days a month, two hours a day.
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.
Sure, being good at your job is really important, but in acting, so much of the decision's already made the minute you walk in the room because they're like, 'His hair's good or she's got the right skin color' or whatever. It's so random, but it's so physically oriented.
In tension you cannot perceive; in laxity you cannot perceive. Only if you are intense and relaxed, you perceive everything just the way it is.
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