A Quote by Josef Albers
Abstraction is real, probably more real than nature.
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Essential truth, the truth of the intellectualists, the truth with no one thinking it, is like the coat that fits tho no one has ever tried it on, like the music that no ear has listened to. It is less real, not more real, than the verified article; and to attribute a superior degree of glory to it seems little more than a piece of perverse abstraction-worship.
The physicist who states a law of nature with the aid of a mathematical formula is abstracting a real feature of a real material world, even if he has to speak of numbers, vectors, tensors, state-functions, or whatever to make the abstraction.
This is the merit and distinction of art: to be more real than reality, to be not nature but nature's essence.
An administrator in a bureaucratic world is a man who can feel big by merging his non-entity in an abstraction. A real person in touch with real things inspires terror in him.
Be real, because a mask only fools people on the outside. Pretending to be someone you're not takes a toll on the real you, and the real you is more important than anyone else.
The Romney candidacy is better than it was four years ago, but it's not clear that it's good. Mitt needs to get good real fast: A real speech, real plan, real responses, and real fire in the belly.
Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.
I call it the 'House of Reprehensibles.' We don't have any real political resistance to this growth of the domestic state across the board. So I'm much more focused on that than on the Patriot Act, which is a real effort, however inept, to deal with a real problem.
This extravagant dwelling, as domineering as it was distant, brought home to me the intimateconnection between tyranny and abstraction, and put me in mind of John Berger's observation that "abstraction's capacity to ignore what is real is undoubtedly where most evil begins."
Hell is a real place, more real than the city in which you live, much hotter and more populated.
What empowerment is all about [is] finding something which infuses you with a sense of mission, with a passion for your life's work. I don't believe there is one path for women or one nature to fulfill. Real fulfillment, real empowerment is often different than we imagine and better than we plan.
In real life, nothing would be more tedious than trailing around after two strangers as they went house-hunting in Hertfordshire. But for some reason, television is more compelling than real life.
Because I came into acting late, my references come from real life. That's my biggest inspiration. It's probably the reason I moved back to New York. I'm just a lot more inspired by real life than I am by depictions of real life.
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