A Quote by Josef Albers

I count all the time on resonance. I call on this, you see. — © Josef Albers
I count all the time on resonance. I call on this, you see.
Not everything that counts can be counted. You can count sales. You can count fans and followers. You can count pins and tweets. But you can't count passion. You can't count commitment. You can't count engagement. You can't count relationships.
Count your blessings. Every time I am doing bad I count my blessings. And I always lose count. Try that sometime.
Call-time has renewed my faith in the need for public financing of elections. 'Call-time' is where I as the candidate, sit in a room with my 'call-time manager,' and a phone. Then I call people and ask them for money. For hours. Apparently, I'm really good at it.
Call-time has renewed my faith in the need for public financing of elections. Call-time is where I as the candidate, sit in a room with my “call-time manager,” and a phone. Then I call people and ask them for money. For hours. Apparently, I’m really good at it.
If you have a good name, if you are right more often than you are wrong, if your children respect you, if your grandchildren are glad to see you, if your friends can count on you and you can count on them in time of trouble, if you can face your God and say "I have done my best," then you are a success.
I was raised in a reform synagogue. I think we all bring with us a sense of when hard things happen to us, we find ourselves asking questions of why are these things happening to me at this time in my life. I think in that sense, there's a certain resonance that I carry. It's more of a spiritual resonance as opposed to particularly of Judaism.
The essence of information...is not its content but its resonance. This is why feeling or sensing things is so important. To sense the resonance of incoming information co-creates a resonant field.
When I can't sleep, I don't count sheep. I count lovers. And by the time I reach 38 or 39, I'm asleep.
They don't have intelligence. They have what I call 'thintelligence.' They see the immediate situation. They think narrowly and they call it 'being focused.' They don't see the surround. They don't see the consequences.
When a certain piece of music penetrates a person, a resonance is set in motion and an inner voice says: "I like this resonance. It elevates me. It develops hitherto unknown possibilities in me. I don't recognize myself. This is very interesting.
It is not important for me as a writer that you leave a piece of writing of mine with either an agreement or even a resonance with what I have said. What is important is that you leave with the resonance of what you have felt and what you thought in reaction to that.
I think of going back to the sports field again, and let's take a baseball game. Well, you have cracked out a grounder and you put in your last ounce of energy and you just happen to make first base. But you don't stop there. First base is the beginning. Now you call on all your alertness, your skill, your energy - and you count on your teammates, you count on the people that are working with you. And the purpose of that getting on first base was to get you around to count a run.
What you do, what you say and what you think can influence other people by morphic resonance. There is no immoral filter in morphic resonance, which means that we have to be more careful about what we are thinking if we are concerned about the affect we have on others.
If, my dear, you seek to slumber; Count of stars an endless number; If you will continue wakeful; Count the drops that make a lakeful; Then if vigilance yet above you Hover, Count the times I love you; And if slumber sill repel you Count the times I do not tell you.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
A bleak, black book, it engenders awe and despair. I have read it in its entirety 4 1/2 times, each time finding its resonance and beauty so great as to demand another reading. As I read, I found myself devastated by the thoroughness of the book's annihilating sensibility and revived by the beauty of its language, the complexity of its design, the melancholy, horror and stoic sympathy in its rendering of what we used to call the human condition.
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