A Quote by Joseph Addison

Nature in her whole drama never drew such a part; she has sometimes made a fool, but a coxcomb is always of a man's own making. — © Joseph Addison
Nature in her whole drama never drew such a part; she has sometimes made a fool, but a coxcomb is always of a man's own making.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
If she took Po as her husband, she would be making promises about a future she couldn't yet see. For once she became his wife, she would be his forever. And, no matter how much freedom Po gave her, she would always know that it was a gift. Her freedom would be not be her own; it would be Po's to give or to withhold. That he never would withhold it made no difference. If it did not come from her, it was not really hers.
The art of never making a mistake is crucial to motherhood. To be effective and to gain the respect she needs to function, a mother must have her children believe she has never engaged in sex, never made a bad decision, never caused her own mother a moment's anxiety, and was never a child.
I made such a fool of myself,” she lamented. “Love does not make you a fool.” “He didn’t love me back.” “That does not make you a fool, either.” “Just tell me …” Her voice cracked. “When does it stop hurting?” “Sometimes never.
Foppery is never cured; it is the bad stamina of the mind, which, like those of the body, are never rectified; once a coxcomb always a coxcomb.
The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.
The only person I never made a hat for was my mother because my mother didn't really - she preferred to make her own hats. I mean, she was intrigued by everything, but she didn't want one of my hats. She made her own.
SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.
I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.
Auld Nature swears the lovely dears Her noblest work she classes, O; Her 'prentice han' she tried on man, And then she made the lasses, O!
I mean, her father was an alcoholic, and her mother was the suffering wife of a man who she could never predict what he would do, where he would be, who he would be. And it's sort of interesting because Eleanor Roosevelt never writes about her mother's agony. She only writes about her father's agony. But her whole life is dedicated to making it better for people in the kind of need and pain and anguish that her mother was in.
Nature does nothing in vain, and in the use of means to her goals she is not prodigal. Her giving to man reason and the freedom of the will which depends upon it is clear indication of her purpose. Man accordingly was not to be guided by instinct, not nurtured and instructed with ready-made knowledge; rather, he should bring forth everything out of his own resources.
Desponding Phyllis was endu'd With ev'ry Talent of a Prude, She trembled when a Man drew near; Salute her, and she turn'd her Ear: If o'er against her you were plac'd She durst not look above your Waist
Her smile was peculiar - it made her nose wrinkle, not as though she smelled something unpleasant, but more that she was so amused, her whole face wanted to be a part of the smile.
When a woman thinks her husband is a fool, her marriage is over. They may part in one year or ten; they may live together until death. But if she thinks he is a fool, she will not love him again.
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