A Quote by Joseph Addison
Virgil has very finely touched upon the female passion for dress and shows, in the character of Camilla; who though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular.
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A modest, godly woman will dress modestly. . . The one who is simple and unpretending in her dress and in her manners shows that she understands that a true woman is characterized by moral worth.
A woman and a dress, very often, fight against each other because they are not at the same place. Sometimes you see the woman moving the belt around. She is making the robe her own. She needs that. Otherwise, the dress doesn't exist.
She remembered that once, when she was a little girl, she had seen a pretty young woman with golden hair down to her knees in a long flowered dress, and had said to her, without thinking, "Are you a princess?" The girl had laughed very kindly at her and asked her what her name was. Blanche remembered going away from her, led by her mother's hand, thinking to herself that the girl really was a princess, but in disguise. And she had resolved that someday, she would dress as though she were a princess in disguise.
Though not a remarkably precocious child in other respects, she seemed to have very clear and correct views on almost every subject connected with her duty to God and her neighbor; was very truthful both in word and deed, very strict in her observance of the Sabbath - though the rest of the family were by no means particular in that respect - very diligent in her studies, respectful to superiors, and kind to inferiors and equals; and she was gentle, sweet-tempered, patient, and forgiving to a remarkable degree.
It is still news to her that passion could steer her wrong though she went down, a thousand times strung out across railroad tracks, off bridges under cars, or stiff glass bottle still in hand, hair soft on greasy pillows, still it is news she cannot follow love (his burning footsteps in blue crystal snow) & still come out all right.
The story we hear over and over again is: Boy in science class, very nice to the girl, says, "Please come to our party on Saturday night." She, of course, shows up. He hands her two, three, four, five drinks. She becomes so inebriated he says, "You can sleep it off in my room. It'll be safe." Or, "I'll walk you home." It's all premeditated with the intention of having sex with that woman without her consent when she's passed out. It's a huge issue.
The beauty of a woman is not in a facial mode but the true beauty in a woman is reflected in her soul. It is the caring that she lovingly gives the passion that she shows. The beauty of a woman grows with the passing years.
The Woman had once been supreme; in France she still seemed potent, not merely as a sentiment but as a force; why was she unknownin America? for evidently America was ashamed of her, and she was ashamed of herself, otherwise they would not have strewn fig-leaves so profusely all over her. When she was a true force, she was ignorant of fig-leaves, but the monthly-magazine-made American female had not a feature that would have been recognized by Adam. The trait was notorious, and often humorous, but anyone brought up among Puritans knew that sex was sin. In any previous age, sex was strength.
I have a female colleague who gets annoyed that Tina Fey seems to go out of her way in her movies to deride her looks, as if she weren't such an attractive woman.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
People tend to be put off by the idea of selling sex, but if you spend a winter's night with one of them and talk with her about her family and so on, you're likely to find she's just like any other woman.
When once a woman is married she should be regarded as having thrown off her allegiance to her own sex. She is sure to be treacherous at any rate in one direction.
... so long as woman labors to second man's endeavors and exalt his sex above her own, her virtues pass unquestioned; but when shedares to demand rights and privileges for herself, her motives, manners, dress, personal appearance, and character are subjects for ridicule and detraction.
an expression of surprise falls from her face, though she's trying to keep it. it breaks off and she seems to catch it and fidget with it in her hands.
From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.
Alia was a very obedient child. The only thing she was fussy about was what dress she wore. I would have to give her choices, and she would pick her dress out knowing very well exactly what she wanted to wear.
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