A Quote by Joseph Addison
When a woman comes to her class, she does not employ her time in making herself look more advantageously what she really is, but endeavours to be as much another creature as she possibly can. Whether this happens because they stay so long and attend their work so diligently that they forget the faces and persons, which they first sat down with, or whatever it is, they seldom rise from the toilet the same woman they appeared when they began to dress
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Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
She remembered that once, when she was a little girl, she had seen a pretty young woman with golden hair down to her knees in a long flowered dress, and had said to her, without thinking, "Are you a princess?" The girl had laughed very kindly at her and asked her what her name was. Blanche remembered going away from her, led by her mother's hand, thinking to herself that the girl really was a princess, but in disguise. And she had resolved that someday, she would dress as though she were a princess in disguise.
Woman - for example, look at her case! She turns tantalizing inviting glances on you. You seize her. No sooner does she feel herself in your grasp than she closes her eyes. It is a sign of her mission, the sign by which she says to man: "Blind yourself, for I am blind."
A woman is never so happy as when she is being wooed. Then she is mistress of all she surveys, the cynosure of all eyes, until that day of days when she sails down the aisle, a vision in white, lovely as the stefanotis she carries, borne translucent on her father's manly arm to be handed over to her new father-surrogate. If she is clever, and if her husband has the time and the resources, she will insist on being wooed all her life; more likely she will discover that marriage is not romantic, that husbands forget birthdays and aniversaries and seldom pay compliments, are often perfunctory.
The extraordinary woman depends on the ordinary woman. It is only when we know what were the conditions of the average woman's life - the number of children, whether she had money of her own, if she had a room to herself, whether she had help bringing up her family, if she had servants, whether part of the housework was her task - it is only when we can measure the way of life and experience made possible to the ordinary woman that we can account for the success or failure of the extraordinary woman as a writer.
Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
In domestic life the woman's value is inherent, unquantifiable; at home she exchanges proven values for mythological ones. She "wants" to be at home, and because she is a woman she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
In domestic life, the woman's value is inherent, unquantifiable; at home she exchanges proven values for mythological ones. She 'wants' to be at home, and because she is a woman, she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
A woman and a dress, very often, fight against each other because they are not at the same place. Sometimes you see the woman moving the belt around. She is making the robe her own. She needs that. Otherwise, the dress doesn't exist.
From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
At 19, if a woman said no, no meant no. If she didn't say anything and she was open, and she was down, it was like how far can I go? If I touch her breast and she's down for me to touch her breast, cool. If I touch her lower, and she's down and she's not stopping me, cool. I'm going to kiss her or whatever. It was simply if a woman said no or pushed you away that was non-consent.
Virtue and vice suppose the freedom to choose between good and evil; but what can be the morals of a woman who is not even in possession of herself, who has nothing of her own, and who all her life has been trained to extricate herself from the arbitrary by ruse, from constraint by using her charms?... As long as she is subject to man's yoke or to prejudice, as long as she receives no professional education, as long as she is deprived of her civil rights, there can be no moral law for her!
I look deep into her rich brown eyes and she look into mine. Law, she got old-soul eyes, like she done lived a thousand years. And I swear I see, down inside, the woman she gone grow up to be. She is tall and straight. She is proud. She got a better haircut. And she is remembering the words I put in her head. Remembering as a full-grown woman.
The woman is the man's glory, and she naturally delights in the praises which are assurances that she is fulfilling her function; and she gives herself to him who succeeds in convincing her that she, of all others, is best able to discharge it for him. A woman without this kind of "vanity" is a monster.
By the care she lavishes on her toilet, by the concern she has for her beauty set off by her adornment, a woman regards herself as an object always trying to attract men's attention.
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