A Quote by Joseph Addison

A reader seldom peruses a book with pleasure until he knows whether the writer of it be a black man or a fair man, of a mild or choleric disposition, married or a bachelor. — © Joseph Addison
A reader seldom peruses a book with pleasure until he knows whether the writer of it be a black man or a fair man, of a mild or choleric disposition, married or a bachelor.
I am an unmarried man, as opposed to a single man. A bachelor, according to the dictionary, is a man who has never been married. An unmarried man is not married at the moment. Many of these terms have fallen into disuse.
A married man is a man with a past, while a bachelor is a man with a future.
Until the image of the black man in the mind of the black man has been changed, there will always be delinquency, parental and juvenile. The idea is not to change the attitude of the white man to the black man but to change the attitude of the black man to himself.
There ought to be some sign in a book about man, that the writer knows thoroughly one man at least.
There are four types of men in this world: 1. The man who knows, and knows that he knows; he is wise, so consult him. 2. The man who knows, but doesn't know that he knows; help him not forget what he knows. 3. The man who knows not, and knows that he knows not; teach him. 4. Finally, there is the man who knows not but pretends that he knows; he is a fool, so avoid him.
A book is one of the most patient of all man's inventions. Centuries mean nothing to a well-made book. It awaits its destined reader, come when he may, with eager hand and seeing eye. Then occurs one of the great examples of union, that of a man with a book, pleasurable, sometimes fruitful, potentially world-changing, simple; and in a library...witho ut cost to the reader.
I'm a writer because I love reading. I love the conversation between a reader and a writer, and that it all takes place in a book-sort of a neutral ground. A writer puts down the words, and a reader interprets the words, and every reader will read a book differently. I love that.
If a dog is biting a black man, the black man should kill the dog, whether the dog is a police dog or a hound dog or any kind of dog. If a dog is fixed on a black man when that black man is doing nothing but trying to take advantage of what the government says is supposed to be his, then that black man should kill that dog or any two-legged dog who sets the dog on him.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
A married man has many cares, but a bachelor no pleasures.
The writer who cannot sometimes throw away a thought about which another man would have written dissertations, without worry whether or not the reader will find it, will never become a great writer.
A writer stops writing the moment he or she puts the last full stop to their text, and at that point the book is in limbo and doesn't come to life until the reader picks it up and the reader flips the pages.
10 years ago the black man knew what his condition was. And today, because of the world revolution that's taking place all over this earth, the black man would be fighting for what he knows is his by right, but the movement on the part of [Martin Luther] King and the others had done nothing but slow down the militancy that is inherent in the nature of the black man.
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