A Quote by Joseph Addison
The end of a man's life is often compared to the winding up of a well written play, where the principal persons still act in character, whatever the fate in which they undergo.
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In the life of any actor or actress, there is inevitably a time when they will be eligible to act in a Tom Stoppard play. He has written a lot, and they are revived often, and there are so many characters of different ages that it was more likely I'd end up in something of his than that I wouldn't.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
Remember that you are an actor in a play, and that the Playwright chooses the manner of it: If he wants you to act a poor man you must act the part with all your powers; and so if your part be a cripple or a magistrate or a plain man. For your business is to act the character that is given you and act it well. The choice of the cast is Another's.
I abhor badly-written characters and any character, be it man, woman, any character in the film. If it is a well-written character, it will come across as strong.
Fate rules. You follow the steps and you plan and you work. Then fate slips in laughing and makes fools of us. Sometimes we can trick it or out guess it but most often its already written. For some its written in blood. That doesn't mean we stop, but it does mean we can't comfort ourselves with blame. It's easier to take the blame than to admit there was nothing you could do to stop whatever happened.
The Greek idea of fate is moira, which means "portion." Fate rules a portion of your life. But there is more to life than just fate. There is also genetics, environment, economics, and so on. So it's not all written in the book before you get here, such that you don't have to do anything. That's fatalism.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
The principal, the only, thing a man makes, is his condition of fate. Though commonly he does not know it, nor put up a sign to this effect, "My own destiny made and mended here." (Not yours.) He is a master workman in the business. He works twenty-four hours a day at it, and gets it done. Whatever else he neglects or botches, no man was ever known to neglect this work. A great many pretend to make shoes chiefly, and would scout the idea that they make the hard times which they experience.
The persons whom you have idolized can never, in the end, be ungrateful, and, probably, at the time of retreat they still do justice to your heart. But, so long as you must draw persons too near you, a temporary recoil is sure to follow. It is the character striving to defend itself from a heating and suffocating action upon it.
And it was the idea that you can do a play - like a Shakespeare play, or any well-written play, Arthur Miller, whatever - and say things you could never imagine saying, never imagine thinking in your own life.
It is sufficiently obvious, that persons and property are the two great subjects on which Governments are to act; and that the rights of persons, and the rights of property, are the objects, for the protection of which Government was instituted. These rights cannot well be separated.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
Freedom is what we all seek, but it's what we do with that freedom that ultimately defines our character. In the end, a man's character cements his fate, good or bad.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.
We don't play golf often [with kids] because they don't play that much anymore - because their kids don't play. It's like anything else - fathers these days end up in the parks on the weekends and they have their kids into lacrosse or soccer or whatever it might be.
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