A Quote by Joseph Addison
An opera may be allowed to be extravagantly lavish in its decorations, as its only design is to gratify the senses and keep up an indolent attention in the audience.
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Low lights signal to our senses that the workday may be over and it's time for sleep, making it hard for an audience to pay careful attention. When we stand behind a big wooden podium, it can feel as if there's a shield between us and the audience.
I think the reason people are propping up drag queens is because it's popular with the fans that identify with them, so we're great for marketing. We're not allowed to be the Christmas tree, we're just allowed to be the decorations, and I still think we're looked at as clowns by a majority of the society.
Weakness may excite tenderness, and gratify the arrogant pride of man; but the lordly caresses of a protector will not gratify a noble mind that pants for, and deserves to be respected. Fondness is a poor substitute for friendship.
You've got seconds to grab your audience's attention and only minutes to keep it.
That was my way, and I also use the music after five years, I started hearing opera, opera, it was very good instrument to keep the spirit very strong because you feel like you are yourself singing opera, and I used to hear a lot of opera, they send me tapes.
All New Years is to me is for taking down your dumb Christmas decorations. People who put up Christmas decorations, all they're saying is, 'Hey, we're not Jews.'
Pride may be allowed to this or that degree, else a man cannot keep up his dignity.
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
I regard as a mortal sin not only the lying of the senses in matters of love, but also the illusion which the senses seek to create where love is only partial. I say, I believe, that one must love with all of one's being, or else live, come what may, a life of complete chastity.
Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.
I'm a product of the 1970s, so I have a short attention span. You know, I grew up on cartoons and half-hour shows. So the stories that I'm interested in grab my attention very quickly, and they have to keep my attention.
We will live with racism for ever. But senses of self, senses of belonging, senses of us and of others? Those are up for grabs.
When I am on the opera stage, I am playing someone else. In recitals, I even have the chance to talk to the audience, which is something you don't get to do in opera.
Growing up in an Ethiopian household allowed me to feel like I had an audience before I had an audience.
From 13, I knew my family was different to anybody else's. You weren't allowed to talk back at your parents or look at them funny. You weren't allowed to leave food on your plate, you weren't allowed to keep the change when you went shopping. There were a lot of rules growing up; but I don't see anything wrong with that.
Keep out of the Sight of Feasts and Banquets as much as may be; for 'tis more difficult to refrain good Cheer, when it's present, than from the Desire of it when it is away; the like you may observe in the Objects of all the other Senses.
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