A Quote by Joseph Addison

A woman seldom asks advice before she has bought her wedding clothes. — © Joseph Addison
A woman seldom asks advice before she has bought her wedding clothes.
I never did, nor do I believe I ever shall, give advice to a woman who is setting out on a matrimonial voyage; first, because I never could advise one to marry without her own consent; and, secondly, I know it is to no purpose to advise her to refrain when she has obtained it. A woman very rarely asks an opinion or requires advice on such an occasion, till her resolution is formed; and then it is with the hope and expectation of obtaining a sanction, not that she means to be governed by your disapprobation, that she applies.
All a woman needs is a good bath, clean clothes, and for her hair to be combed. These things she can do herself. I very seldom go to the hairdresser, but when I do, I just marvel.
The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
I found my style in my aunt's attic. She hoarded all her '60s clothes there, along with the tiaras she'd won as a beauty queen, and I'd steal her wedding dress to wear around town.
When she looked at herself in her wedding photographs, Ammu felt the woman that looked back at her was someone else. A foolish jewelled bride. Her silk sunset-coloured sari shot with gold. Rings on every finger. White dots of sandalwood paste over her arched eye-brows. Looking at herself like this, Ammu's soft mouth would twist into a small, bitter smile at the memory - not of the wedding itself so much as the fact that she had permitted herself to be so painstakingly decorated before being led to the gallows. It seemed so absurd. So futile. Like polishing firewood.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
When a woman comes to her class, she does not employ her time in making herself look more advantageously what she really is, but endeavours to be as much another creature as she possibly can. Whether this happens because they stay so long and attend their work so diligently that they forget the faces and persons, which they first sat down with, or whatever it is, they seldom rise from the toilet the same woman they appeared when they began to dress
Any woman can look her best if she feels good in her skin. It's not a question of clothes or makeup. It's how she sparkles.
The modern woman is the curse of the universe. A disaster, that's what. She thinks that before her arrival on the scene no woman ever did anything worthwhile before, no woman was ever liberated until her time, no woman really ever amounted to anything.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
To win a woman in the first place you must please her, then undress her, and then somehow get her clothes back on her, finally, so that she will let you leave her, you've got to antagonise her.
The next time she comes back, no matter what she says, listen to her well. If she cries, give her a handkerchief and wait until she's done crying. If she curses me, curse with her. And if by any chance she asks about me, tell her that I'm sorry.
A woman is never so happy as when she is being wooed. Then she is mistress of all she surveys, the cynosure of all eyes, until that day of days when she sails down the aisle, a vision in white, lovely as the stefanotis she carries, borne translucent on her father's manly arm to be handed over to her new father-surrogate. If she is clever, and if her husband has the time and the resources, she will insist on being wooed all her life; more likely she will discover that marriage is not romantic, that husbands forget birthdays and aniversaries and seldom pay compliments, are often perfunctory.
What do you do?' she asks, holding out the vest. 'What do you do?' 'What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?' 'Why not?' She sits on the mattress after I get up. Muriel screams. 'Because... I don't know,' she sighs. I look at her and don't feel anything and walk out with my vest.
The beauty of a woman is not in the clothes she wears, the figure that she carries or the way she combs her hair.
To see a young black woman being loved for just who she is - her hair, her skin, her clothes - is powerful.
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