A Quote by Joseph Altuzarra
When you live in Paris, and fashion is such a point of pride for the French, it's always around and you're very much exposed to it from an early age. It was always something I knew about and really liked.
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It was always something I knew I was capable of and from an early age my mother was involved in the film industry. She used to work at a production company. So I was exposed to a renaissance period of films in New Zealand back in the early 80's.
I knew at a very early age, about 6 years old, that there was something different about me. But being young and not being exposed to people who had gender dysphoria, or role models that you see on TV today, I didn't know what it was.
Heading to Paris when I was 17 and modelling exposed me to high fashion, which influenced me to dress on-trend - not extravagantly, but always in fashion.
My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls. This was in the late '70s, early '80s, so it wasn't like today, where you kind of know all about the industry. Fashion was a very insider industry then - it was very closed. So I didn't really know what I wanted to do.
I figured out who I was very early on - actually, at the age of 13, with the help of the Internet - so I knew that a transition, becoming a woman, was always something I needed to do.
There isn't much to say about my childhood. I remember explosions of intense happiness, followed shortly afterwards by profound melancholy that always prompted remarks and comments from those around me on how remote my life was from my age. Therefore I rapidly lost all my respect for age. From then on, I always lived without any age, given that every year I used to repudiate it, choosing another one for the sole good reason that I liked it better.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
My mother is from Paris, so she was quite a fashion plate. I always had that French influence at home.
I think London, New York, Paris, Milan, any big city has its own fashion. I don't know why they make such a big thing of Paris. I think maybe it comes from French New Wave films portraying the French girl as very feminine.
I always messed around with makeup. From a very early age, my mom would let me play with hers, and my grandma, and my aunts and stuff were always like, 'Let me put lipstick on her!' that they'd have in their purse. But I think just from a very young age I've had fun with makeup.
I've always liked fashion but maybe not to the point that I was so sick about it that I wanted to draw my own things.
I was always the poor kid, even though I very much tried to pretend to be the other way. Always well presented. Always really active in the school, doing fashion shows, plays, involved in every single aspect of the school. Overcompensating, I think, for the fact that I knew I wouldn't be going on the ski trip every January.
I knew from an early age that people didn't see the different sides of me. I formulated a kind of bi-cultural identity quite early, and I was always very comfortable with it, but I knew people didn't quite see that.
I've always loved 3D. In fact, as a kid, I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.
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