A Quote by Joseph Altuzarra
I don't think I'm an artist or that I'm doing anything superintellectual. What's important to me is to get a visceral reaction from people, for them to want that coat because they think it's beautiful.
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I think it's interesting that a lot of times people want celebrities to give back in the way that they want them to give back. They want them to give money to the cause they think is important and when that doesn't happen they say, "Oh, they're not doing anything." People think celebrities are going to solve their problems. People think because someone is famous or an athlete or a politician that the solution begins with them. All they're there to do is sell you a product.
I think, always, with a new book, I get nervous. I think mostly it is because work is really important to me, and a book doing well is important because it buys you another one. Not because of the money but if you keep doing interesting work, work that people like, they will want you to do more, and offers that are interesting come in.
I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.
I think the worst reaction that I could get from someone to my photos is some sort of mediocre, middle-range reaction where they really get nothing from it, and they want to move on to the next thing. [I'd rather they be] horrified, pissed off at me, extremely disgusted at how bad of an artist I am.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
I think the most important thing is to always be involved in every aspect of their life. To give them enough trust that they can share things with you. I don't want them to be terrified of me, you know? But I don't want them to think they can do whatever they want and get away with it, either, because they can't.
Yesterday is always better than today and the fear of tomorrow. I don't think there's anything absolutely wrong with that, it's just the way we are. So when people are presented with something new, there is a very visceral reaction.
People are going to bash you. You get rejected. It's hard. I don't really feel like that's my place as the teacher. I think the most important thing is to figure out what they're trying to do and turn them onto writers who are doing similar stuff. I think that's something I can do more than anything else: get them to be big readers.
It's funny because you start watching Mister Rogers so young, it's sort of in this subliminal part of your brain. I think that's why people have such a visceral reaction to him.
Why do you think people cheat?," I asked. "Because they're bored? Because they can? Because they're selfish and think they're entitled to anything they want? Because they don't think they'll get caught?
I don't really care if people get upset. I think I'm doing my job if people get upset; I want them to think! We all want them to think, hopefully.
You know when I think about what I'm doing - what I'm doing and the way I'm doing it is more important to me than any amount of money or anything like that because it's my artistic work.
There are actors I know personally, or I've heard them say, "The less known about me, the better, because I just want people to think of me as the character." I think Matt Damon said that recently. He has a point and I think I get that.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
I think there is something beautiful in reveling in sadness. The proof is how beautiful sad songs can be. So I don’t think being sad is to be avoided. It’s apathy and boredom you want to avoid. But feeling anything is good, I think. Maybe that’s sadistic of me.
I'm so stupid because I refuse to think that I'm getting older. I get up in the morning, and it's like, 'La, la, la, I'm so pretty.' I still mingle with a lot with young people. I even go to college campuses to talk to them because I know how they think. They don't think I'm boring, either. They think I'm cool, but I want them to think I'm hot!
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