A Quote by Joseph Altuzarra

I think women want to feel beautiful. They want to feel seductive. I also try to think about items that can be worn in different ways so they can be worn more than once. If you're going to buy a $2,000 jacket, you are going to want to wear it over and over.
I try to think about items that can be worn in different ways so they can be worn more than once.
I think women want to feel beautiful. They want to feel seductive.
I was definitely scared of fashion growing up just because I didn't want people to think I was gay. But now that I'm out, I feel like it's such a personal journey for me that I'm going on every single day where I feel more and more confident and comfortable to wear the clothes that I want to wear, and to have the interest that I have, and to paint my nails if I want to.
I recently went mad and spent 1,000 in one afternoon on bras and knickers. I love classy, lacy stuff that makes you feel dead sexy knowing you've got it on. I've never worn stockings and suspenders, though. But I could imagine they'd make you feel really sexy worn under something formal. I think I'll save that experience and wear them under my wedding dress.
When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.
A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.
I just want to play until I think I don't feel good - and if I can still do it. If I can't do it, I don't think I'll keep going once I don't feel I'm playing the way I want to.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
I think, she began quietly, I think we want... not just bread for our bellies. We want more than only bread. We want food for our hearts, our souls. We want- how to say it? We want, you know- Puccini music.... we want for our beautiful children some beauty. She leaned over and kissed the curl on her finger. We want roses.
Don't you think I was made for you? I feel like you had me ordered - and I was delivered to you - to be worn. I want you to wear me, like a watch-charm or a buttonhole bouquet.
I think teenagers just want a place to feel safe and understood and heard, while also understanding that it's really scary right now in the world. We don't want to be told, "It's all going to be okay." We want to talk honestly about what's happening and what we can do.
People still think that a woman who doesn't have children or doesn't want children is really lacking in something. I've seen this over and over again in my life. I've had this thinking used against me repeatedly. I remember I had a therapist once, and I brought this up, and she said, "Well, I think women who don't have children feel very self-critical. They feel bad, so they think other people are critical in that way."
If you have items in your closet that you haven't worn in a year, then you're never going to wear them.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
I've always worn suits. To me they're a very practical kind of thing to wear. You put one on and don't really have to think about what you're going to wear.
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