A Quote by Joseph Barbera

Creating fantasy is a very personal thing, but you can't take the process too personally. — © Joseph Barbera
Creating fantasy is a very personal thing, but you can't take the process too personally.
Failure is a very personal thing and everybody goes through it very personally.
Take your job seriously, BUT don't take their complaints personally. If you take it personally you'll get upset and lose your edge. If you take it too personally, you'll lose your edge and your job. If you take it seriously -- it's you with them. If you take it personally, it's you against them. What steps can you take to ensure keeping your cool?
If you want to make a difference, the next time you see someone being cruel to another human being, take it personally. Take it personally because it is personal!
Personally I kept my feelings out of it and created a fantasy. That's the process of going through this world being beautiful.
'Higher Power' was the result of a personal experience: a friend of mine who went through the process of addiction and recovery. It's a very, very tough thing - very easy to become addicted and very, very hard to become a recovering addict.
I take the world very personally. I take history personally; I want to place myself in the larger context.
When people say they take hits and flops in their stride, I personally feel that they are just lying. Of course, I'm upset when my movies flop. I take it very personally.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.
The camera is your way to see what you want to see - it's an extension of the director's fantasy. I'm executing my personal fantasy, whether it's a fantasy of pleasure or of pain and fear.
I'm a fantasy writer, called a fantasy writer. But there's very little, apart from one or two basic concepts in 'I Shall Wear Midnight,' which are in fact fantasy. You have sticks that fly, but they're practical broomsticks, with a bloody great strap that you can hold on to so you don't fall off. And you try not to use them too often.
I liked the whole process of creating on set. It's almost like creating magic. The work that the camera guys are doing at the same time, the lighting... all of the people working in their departments to make one thing.
And it soon became obvious to me that I had to process and keep my relationship with my ex-wife separate from that of my children. They didn't need or want too much personal information about our relationship. Change is good, and ultimately, creating a new path at this point in my life is energizing, creative, and rejuvenating.
Very early in my life, I realised that it is okay getting rejected. Sometimes, we take rejection too personally.
I left Disney in 2000 because I thought that the process of watching TV was really going to change, and the process of creating it and the business model had to change, too.
The Christianity that saves is a thing personally grasped, personally experienced, personally felt and personally possessed.
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