When I was a kid, there was no distinction between a movie about old people or young people. It was either funny or not. It was either entertaining or not. It was either exciting or not. It was either thrilling or not.
In England we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
In England, we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
It's either good, bad or somewhere in between. It's either ying, yang or it's a combination. You're either male, female or somewhere in between. You've got to be somewhere on the map.
The struggle between the two worlds [Fascism and Democracy] can permit no compromises. The new cycle which begins with the ninth year of the Fascist regime places the alternative in even greater relief either we or they, either their ideas or ours, either our State or theirs!
The struggle of our people for freedom has progressed to the form where all of us must take a stand either for or against the freedom of our people You are either with Your People or against them. You are either part of the solution or part of the problem.
I'm not ugly but I'm not pretty either. Everything is in-between. I have eyes that aren't green or brown, but a muddle. I'm not thin but I'm not fat either. the only thing you could definitely say about me is that: I'm short
People are either driven to action or complacency, mission or rust. You're either participating in the Game of Life or you're watching it from the grandstands.
People that go through serious illness - you can either go one way or the other. You can either become despondent about it all. Or it kind of rejuvenates you, makes you focus on what's important.
At some point in your life, if you live in Venezuela, you come across or own a cuatro. Either at school, either at camp, either at a friend's house, at a birthday or Christmas or bar mitzvah, you end up with a cuatro. It's like a must.
Grief will happen either as an open healing wound or a closed festering wound, either honestly or dishonestly, either appropriately or inappropriately. But emotions will be expressed.
There's two kinds of thinking. There is conjunctive thinking and there's disjunctive thinking. Disjunctive thinking says it has to be either/or. Now clearly, there are some either/or's - I either trust Christ or I don't. I'm either pregnant or I'm not. But a lot of thinking in Scripture, when it comes to theology is, in my opinion, conjunctive thinking. It's both/and. I believe that and I believe that.
At Christmas, individuals are apportioned their roles in the family script - you're either the funny one or the sensitive one; or you either do the cooking or the washing up. And those roles aren't easy to change.
You can't make somebody care about what you're doing. Either they get it, either there's that connection - or they don't.
Acting is like sex: you either do it and don't talk about it, or you talk about it and don't do it. That's why I'm always suspicious of people who talk too much about either.
Jewish history turns out not to be an either/or story - as in, either pure Judaism detached from its surroundings or else assimilation - but rather, for the vast majority, the adventure of living in between.
The only way I was going to be funny was if I was myself, and either you liked it, or you didn't. Either you got on my train, or you didn't. Freeing myself of this idea that I had to fit a certain mold was when I was able to be my funniest.