A Quote by Joseph Brodsky
Love itself is the most elitist of passions. It acquires its stereoscopic substance and perspective only in the context of culture, for it takes up more place in the mind than it does in bed. Outside of that setting it falls flat into one-dimensional fiction.
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There is only beauty / and it has only one perfect expression / poetry. All the rest is a lie /except for those who live by the body, love, and, that love of the mind, friendship. For me, Poetry takes the place of love, because it is enamored of itself, and because its sensual delight falls back deliciously in my soul.
I love the fact that there are more and more young people out there who still want to make a flat two-dimensional surface come alive with three dimensional magic.
Waiting is directed at nothing: any object that could gratify it would only efface it. Still, it is not confined to one place, it is not a resigned immobility; it has the endurance of a movement that will never end and would never promise itself the reward of rest; it does not wrap itself in interiority; all of it falls irremediably outside.
I love fiction, you know? I find it fascinating. So when film really does go into fictional places, that's the most exciting for me. And when the fiction is about the person rather than about the place, that's even more exciting.
If you want to know what it will be like when we are more deeply into the horizontal, simply go to one of the Indian casinos. The Native Americans, who stand for vertical thinking more than anyone else in our culture, have been setting up totally flat casinos for honkies.
Love shows itself more in adversity than in prosperity; as light does, which shines most where the place is darkest.
It is, indeed, a fact that, in the midst of society and sociability every evil inclination has to place itself under such great restraint, don so many masks, lay itself so often on the procrustean bed of virtue, that one could well speak of a martyrdom of the evil man. In solitude all this falls away. He who is evil is at his most evil in solitude: which is where he is at his best - and thus to the eye of him who sees everywhere only a spectacle also at his most beautiful.
The shaman is a person who is able to transcend the dimensional confines of cultural existence. They know more than the people they serve. The people they serve are like children within the game of culture. Only the shaman knows that culture is a game. Everyone else takes it seriously. That's how he can do his magic.
Political change does not really lead to any fundamental change for most of the people, indeed because politics (even if it calls itself democratic) is elitist and barred to most people, so it is necessary to look to new movements outside of "politics."
My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
When a sunbeam falls on a transparent substance, the substance itself becomes brilliant, and radiates light from itself. So too Spirit bearing souls, illumined by Him, finally become spiritual themselves, and their grace is sent forth to others. From this comes knowledge of the future, understanding of mysteries, apprehension of hidden things, distribution of wonderful gifts, heavenly citizenship, a place in the choir of angels, endless joy in the presence of God, becoming like God, and, the highest of all desires, becoming God.
Because I believe psychedelics are a kind of higher dimensional sectioning of reality, I think they give the kind of stereoscopic vision necessary to hold the entire hologram of what's happening in your mind. The old paradigm is gone.
The chemistry of mind is different from the chemistry of love. The mind is careful, suspicious, he advances little by little. He advises “Be careful, protect yourself” Whereas love says “Let yourself, go!” The mind is strong, never falls down, while love hurts itself, falls into ruins. But isn’t it in ruins that we mostly find the treasures? A broken heart hides so many treasures.
A novel which survives, which withstands and outlives time, does do something more than merely survive. It does not stand still. It accumulates round itself the understanding of all these persons who bring to it something of their own. It acquires associations, it becomes a form of experience in itself, so that two people who meet can often make friends, find an approach to each other, because of this one great common experience they have had.
There has to be innate circuitry that does the learning, that creates the culture, that acquires the culture, and that responds to socialization.
Wikipedia lacks the habit or tradition of respect for expertise. As a community, far from being elitist (which would, in this context, mean excluding the unwashed masses), it is anti-elitist (which, in this context, means that expertise is not accorded any special respect, and snubs and disrespect of expertise is tolerated).
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