A Quote by Joseph Brodsky

In general, in America, every discourse in literature in 15 minutes degenerates into a conversation about ethics, morality and this and that. The Holocaust and the consequences of it. Well, I find it terribly boring, predictable and unimportant, because what matters about literature is esthetic achievement.
What is literature, really? Boiled down to a single sentence, I'd say it's this: an endless conversation about what it means to be human. And to read literature is to engage in that conversation.
If nobody talks about books, if they are not discussed or somehow contended with, literature ceases to be a conversation, ceases to be dynamic. Most of all, it ceases to be intimate. It degenerates into a monologue or a mutter. An unreviewed book is a struck bell that gives no resonance. Without reviews, literature would be oddly mute in spite of all those words on all those pages of all those books. Reviewing makes of reading a participant sport, not a spectator sport.
The point about sales is relevant because it suggests there are cultures out there that are supporting and consuming, on a vast scale, challenging works of literature. Works of literature that in the United States would sell only a few thousand copies, if they managed to find a publisher at all. The success of these texts in Spain or Italy or wherever contributes to a kind of national conversation that we're perhaps not having here in the U.S.
We can either have a twenty-first-century conversation about morality and the human well-being - a conversation in which we avail ourselves of all scientific insights and philosophical arguments that have accumulated in the last two thousand years of human discourse - or we can confine ourselves to a first-century conversation as it is preserved in the Bible.
Literature must become party literature. Down with unpartisan litterateurs! Down with the superman of literature! Literature must become a part of the general cause of the proletariat.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
Seine et Danube was launched in 2003 with the help of Romanian authorities who had finally realized the necessity of promoting literature and Romanian culture in general. Along with focusing on the literature of the countries the Danube traversed (with an emphasis on Romania), we printed work that interested us from the banks of the Seine: French and French-Romanian authors like Cioran and Fondane. We dedicated our last edition to surrealism and Esthetic Onirisme.
I don't accept the idea that literature can be just entertainment and that there is no consequences of literature in the real world.
Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
I do lots of reading and speaking at many universities about literature and also about politics, which is as much a part of my life as the literature.
I think technical people now should learn literature, because literature teaches you a great deal about how - the depths and variety of human imagination.
I'm not sure I'm happy with words such as "task" or "role" when they are attached to literature. I prefer to talk about the gift of literature rather than its role or task. You know, gynecology has a role; sex is a gift. And literature is not about sending messages.
I think about Chilean literature as a family, because I grew up reading the literature of my country. I feel like I have fathers and stepfathers and a lot of brothers and sisters and distant cousins and all that.
If I could change the attitude of young men toward literature, I would want them to read not just for escape, but because literature can be more truthful about things like sex, commitment, and aging. It can be more truthful about the stuff that our parents lied to us (and themselves) about, and the stuff that everyone has to lie about. It can all be dealt with truthfully in fiction and poetry.
I'm not terribly conversant with children's literature in general. I tend to read books for adults, being an adult.
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