Poems, novels - these things belong to the nation, to the culture and the people. They've been stolen from the people and now the stolen things are being returned to their owners, but I don't think their owners should be grateful to receive them.
People who attack biography choose as their models vulgar and offensive biography. You could equally attack novels or poems by choosing bad poems or novels.
The Neapolitan novels have a lot of references to things outside, to things of the world, to culture, politics, the city of Naples. People have mentioned that Naples is like a character in the novels.
I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that.
Never belong to a crowd; Never belong to a nation; Never belong to a religion; Never belong to a race. Belong to the whole existence. Why limit yourself to small things? When the whole is available.
I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels.
Many people have said to me, "What a pity you had such a big family to raise." "Think of the novels and the short stories and the poems you never had time to write because of that." And I looked at my children and I said, "These are my poems, these are my stories."
How can we ever understand what we are and where we belong in the universe if we haven't experienced anything outside of our own nation, culture, or history?
If the war is lost, the nation will also perish. This fate is inevitable. There is no necessity to take into consideration the basis which the people will need to continue a most primitive existence. On the contrary, it will be better to destroy things ourselves because this nation will have proved to be the weaker one and the future will belong solely to the stronger eastern nation [Russia]. Besides, those who remain after the battle are only the inferior ones, for the good ones have been killed.
Welcome, Anne. I thought you'd come today. You belong to the afternoon so it brought you. Things that belong together are sure to come together. What a lot of trouble that would save some people if they only knew it. But they don't...and so they waste beautiful energy moving heaven and earth to bring things together that don't belong.
The whole process of having to put the thing into the world seems so antithetical to the act of writing. Poetry is slightly easier, because there's less money and fewer people involved. You just let a book of poems trickle out in the world, and it finds its own people. Novels are much harder, and you don't think you should have to do some of the things you're made to do.
One of the interesting things about "outsidership" is that underneath it there's a longing to belong. I just wish the thing I refused to belong to - the species, Western capital culture - was a little more respectable. My one true relaxation is my flotation tank, in which I can either meditate or just drift off.
Anyway, culture and nation are partners, inextricable from each other. National culture and nation, they are reciprocities.
I think the only universal thing is one individual. If you talk about a country or a nation or a culture, it's so vague. I mean what is a nation? A nation is full of nice and bad and long and tall and short and thin people. It's not like everybody is the same.