A Quote by Joseph Brodsky
What provides you with subject matter is your own language - and that's all.
Related Quotes
The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing.
That is the thing about being a writer; your subject matter may not stay your subject matter if you break their trust by revealing personal and editorialized information about them.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
I thought why not write a kind of mystery, murder, thriller book, but use romance language where the language plays completely against the very dark subject matter, that very strange murderous plot, but use that Harlequin Romance language.
If your players believe in what you're telling them, no matter how trivial the subject, no matter how important the subject, then it influences the way they behave, and that will influence results.
You must forget all your theories, all your ideas before the subject. What part of these is really your own will be expressed in your expression of the emotion awakened in you by the subject.
You can have your own language. You can have your own dialect; you can have your own way of saying things, but if you don't actually understand the way the language fits together, it's chaos.
I want to poke holes in the erroneous beliefs about what fame provides. It won't raise your self-esteem, it won't create profound connection, it's not going to heal your childhood traumas, it's only going to amplify them. You're going to be subject to a lot of criticism and praise, both of which are violent in their own ways.
One way to think about what psychedelics are is as catalysts for language development. They literally force the evolution of language. You cannot evolve faster than your language because the language defines the culture of meaning. So if there's a way to accelerate the evolution of language then this is real consciousness expansion and it's a permanent thing. The great legacies of the 60's are in attitudes and language. It boils down to doing your own thing, feeling the vibe, ego-trip, blowing your mind.
In Italy, you're in your comfort zone when it comes to language, lifestyle, your habits and preparations, and moving abroad is not easy. It's not easy to carry over your own ideas about football, your own methods. You have to get everything across in a different language, and that wastes a lot of energy.
George Orwells 1984 frequently tops surveys of our greatest books: its not a celebration of poetic language. Its decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what 1984 shows is that language can be a dirty trick.
George Orwell's '1984' frequently tops surveys of our greatest books: it's not a celebration of poetic language. It's decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what '1984' shows is that language can be a dirty trick.
What I dream of is an art of balance, of purity and serenity devoid of troubling or depressing subject matter - a soothing, calming influence on the mind, rather like a good armchair which provides relaxation from physical fatigue.
I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
Critic asks: 'And what, sir, is the subject matter of that painting?' - 'The subject matter, my dear good fellow, is the light.
Approaching subject matter to photograph is like meeting a person and beginning a conversation. How does one know ahead of time where that will lead, what the subject matter will be, how intimate it will become, how long the potential relationship will last? Certainly, a sense of curiosity and a willingness to be patient to allow the subject matter to reveal itself are important elements in this process.
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