A Quote by Joseph Campbell
The very cave you are afraid to enter turns out to be the source of what you are looking for.
Related Quotes
Where you stumble, there lies your treasure. The very cave you are afraid to enter turns out to be the source of what you are looking for.
The damned thing in the cave that was so dreaded has become the center.
The cave you fear to enter holds the treasure you seek. Fear of the unknown is our greatest fear. Many of us would enter a tiger's lair before we would enter a dark cave. While caution is a useful instinct, we lose many opportunities and much of the adventure of life if we fail to support the curious explorer within us.
I read 'The Crystal Cave' book by Mary Stewart, and I thought it was a really, really interesting part of the legend, in which Merlin could enter into the cave with these crystals and see reflections of the future in them and learn how to use that and harness those powers for himself.
I wanted to find a cave and hang out there for the rest of my life and be a cave painter and eat dirt.
Without strong communities, we cannot pull together during times of hardship. Our diversity turns from a source of strength to a source of conflict.
I used to be afraid of my temper, but it turns out I don't really have one.
Contentment is the greatest door that one enters to Allah, it is the source of tranquility for the worshiper and paradise on earth. Whoever does not enter it will not enter the Paradise in the Hereafter.
In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.
If we take all this actions and if it turns out not be true, we have reduced pollution and have better ways to live, the downside is very small. The other way around, and we don’t act, and it turns out to be true, then we have betrayed future generations and we don’t have the right to do that.
Freed from the sublimated form which was the very token of its irreconcilable dreams - a form which is the style, the language in which the story is told - sexuality turns into a vehicle for the bestsellers of oppression. ... This society turns everything it touches into a potential source of progress and of exploitation, of drudgery and satisfaction, of freedom and of oppression. Sexuality is no exception.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
Under Islamic precepts, men cannot enter the home of a woman who they don`t know, and so they need the women in this effort to enter homes where they`re - where they`re looking for possible women terrorists, women accomplices of Boko Haram, and trying to either disarm them or get them out of that movement.
Beginning a poem, the poet as a rule doesn't know the way it's going to come out, and at times, he is very surprised by the way it turns out, since often it turns out better than he expected; often his thought carries further than he reckoned.
Looking to the material world for the satisfaction of our inner needs is the source of much fear. All fear is, in essence, fear of the future. We are afraid of things that have not yet happened, but which if they did might bring us pain, suffering, or some other discomfort - or stand in the way of some future contentment. And we are afraid that circumstances that are already causing us displeasure may continue in the future.
Like many men, I can never find anything that I'm looking for, even when I'm actually looking at it. In a fridge, I think milk is actually invisible to the male eye. And so, it turns out, are dirty great holes in the fence.
I was afraid to board a streetcar because of the conductor; I was afraid to enter the Kabuki Theater for fear of the usherettes standing along the sides of the red-carpeted staircase at the main entrance; I was afraid to go into a restaurant because I was intimidated by the waiters furtively hovering behind me waiting for my plate to be emptied.
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