A Quote by Joseph Campbell

Both the artist and the lover know that perfection is not loveable. It is the clumsiness of a fault that makes a person lovable. — © Joseph Campbell
Both the artist and the lover know that perfection is not loveable. It is the clumsiness of a fault that makes a person lovable.
Maybe you've decided you're not a genius, that you're not brilliant, that you're not prosperous, that you're not wonderful, that you're not lovable. Well, you know what? You're both: you're unlovable and you are lovable. And they both need equal time.
Very often, the way love is defined, it does violence to both people. It almost makes them a slave to the other. For example, if to be in love, or to be married, it means that I'm responsible for the other person's happiness, now we get into this guilt game, where if they're upset, I'm at fault. Soon, that makes the person we are closest to about as much fun to be around as a prolonged dental appointment.
Practice loving people. It is true that this requires effort and continued practice, for some are not very lovable, or so it seems - with emphasis on seems. Every person has lovable qualities when you really learn to know him.
We assume that others are receiving the kind of appreciation we want for ourselves, and we proceed on the assumption that since we are not loveable as we are, we must become lovable under false pretenses, as if we were something better than we are.
There's no shape or body type that makes you more happy or more lovable. It's the body you're comfortable in that makes you happier and more lovable. I look around and see how women and men of all types find the love and the life they want.
You must speak the vision of your project in a way that convinces people to pay for it. If they won't pay for it, that is the artist's fault. It is my fault. It is your fault. It is not the executive's fault or the world's.
I know I am not the first woman to ask this, but how can I be both damaged and loveable? How do I become the protagonist of a story?
It is significant that one says book lover and music lover and art lover but not record lover or CD lover or, conversely, text lover.
Every artist is linked to a mistake with which he has a particular intimate relation. There is the mistake of Homer, of Shakespeare — which is perhaps, for both, the fact of not existing. Every art draws its origin from an exceptional fault, every work is the implementation of this original fault, from which come to us a new light and a risky conception of plenitude.
We can all control our own destiny. And I think sometimes it's a copout to say, "Well, it's this person's fault or another person's fault."
I don't think there's any intrinsic difference between a lover and a husband. ... If I were cynical, I would say that a woman should have both a good husband and a lover. But I'm not cynical so I'll just say that a woman should have a lover who's a good husband and a husband who's a good lover, perhaps both.
Now "professional" seems to be whoever you went to school with. It constitutes your nuclear world. And that's the fault of the teachers; it's not the fault of the young artist.
A lover in life will be a lover in death, a lover in the tomb, a lover in paradise, a lover on the day of resurrection.
It's hard to predict and to say what goes on inside the minds of an artist, but that's what makes them an artist. That sense of creativity. That thing that makes them tick is probably the very thing that pushes them to the extremes that sometimes can cause, you know, fatalities and things that, you know, that end up not being good.
As an actor you're only supposed to be a lover. I am a romantic hero though I don't like that tag. With all the hardships, problems, illness, goodness, badness, awards and money... an actor will always be a lover. And a lover makes mistakes. You'll be silly, nonsensical and stupid.
I feel like I go from strength to strength. What exists in between is the stuff that makes it worth it. I don't know what a triumph is unless I know what a failure is. I welcome both in equal measure because I know they're both temporary anyway. I know they're both unavoidable anyway.
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