A Quote by Joseph Conrad

The very young have, properly speaking, no moments. It is the privilege of early youth to live in advance of its days in all the beautiful continuity of hope which knows no pauses and no introspection.
I do not regret my youth and its beliefs. Up to now, I have wasted my time to live. Youth is the true force, but it is too rarely lucid. Sometimes it has a triumphant liking for what is now, and the pugnacious broadside of paradox may please it. But there is a degree in innovation which they who have not lived very much cannot attain. And yet who knows if the stern greatness of present events will not have educated and aged the generation which to-day forms humanity's effective frontier? Whatever our hope may be, if we did not place it in youth, where should we place it?
Very few men, properly speaking, live at present, but are providing to live another time.
Even the way Mamet describes silences within his plays is different. There are pauses; there are pauses within parentheses; there are pauses before dialogue; there are pauses in the spaces between the dialogue - there's this extraordinary vocabulary of silence which is all there on the page, mapped out.
When I was young in the 1960s, all the world watched the youth. Everywhere was the sensation of wanting to break the chains but to do something beautiful. It is my privilege to have beauty always near me.
Man is, properly speaking, based upon hope, he has no other possession but hope; this world of his is emphatically the place of hope.
There are moments that define a person's whole life. Moments in which everything they are and everything they may possibly become balance on a single decision. Life and death, hope and despair, victory and failure teeter precariously on the decision made at that moment. These are moments ungoverned by happenstance, untroubled by luck. These are the moments in which a person earns the right to live, or not.
With ordinary men the moments which are united in a close continuity out of the original discrete multiplicity are very few, and the course of their lives resembles a little brook, whereas with the genius it is more like a mighty river into which all the little rivulets flow from afar; that is to say, the universal comprehension of genius vibrates to no experience in which all the individual moments have not been gathered up and stored.
We seldom repent of speaking little, very often of speaking too much: a vulgar and trite maxim, which all the world knows and, but which all the world does not practice
To be young is to live in the hope of escaping youth; to be old, in the despair of having succeeded.
A lot of times continuity is your best hope for taking that next step. Can you have a balance of continuity and some additions and bolster it and walk that fine line of adding and embracing continuity?
Besides, Rose Bradwardine, beautiful and amiable as we have described her, had not precisely the sort of beauty or merit which captivates a romantic imagination in early youth. She was too frank, too confiding, too kind; amiable qualities, undoubtedly, but destructive of the marvellous, with which a youth of imagination delights to dress the empress of his affections.
The future is always fairyland to the young. Life is like a beautiful and winding lane, on either side bright flowers, and beautiful butterflies and tempting fruits, which we scarcely pause to admire and to taste, so eager are we to hasten to an opening which we imagine will be more beautiful still. But by degrees, as we advance, the trees grow bleak; the flowers and butterflies fail, the fruits disappear, and we find we have arrived--to reach a desert waste.
As the imagination is set to look into the invisible and immaterial, it seems to attract something of their vitality; and though it can give nothing to the body to redeem it from years, it can give to the soul that freshness of youth in old age which is even more beautiful than youth in the young.
That moment in 'Broadcast News' where Holly Hunter is told how great it is to be the smartest person in the room, and she cries and says it's awful - I definitely have moments like that sometimes, moments when introspection and drive can be lonely-making. And it doesn't help that I have a partner who is very work-oriented.
I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.
Youth gives a sense of new days dawning bright, going on for ever, and a kind of tamped-down excitement which keeps breaking through even the worst days of poverty, depression and loneliness. But then youth is something which only exists in retrospect; you are barely conscious of it while you have it.
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