A Quote by Joseph D. Pistone

Watching the dailies and then watching the... episodes, it really hits you: 'Damn, I did that?' I must have been crazy to get into those situations. — © Joseph D. Pistone
Watching the dailies and then watching the... episodes, it really hits you: 'Damn, I did that?' I must have been crazy to get into those situations.
Watching 'Mahabharat' and 'Mahakali' on screen after so long really got me nostalgic! It was honestly wonderful and an emotional moment to relive those memories from both the shows I have been part of while watching their very first episodes all over again.
When you're young, you don't care about your parents and what they're doing. But then you get to your 20s, and you start watching their movies. And then you become an actor, as I did late in college, and then you're really watching them. And they were really very good.
When all my girlfriends were watching 'ER,' I was watching episodes of 'Kids in the Hall.'
I'm really interested in kind of weird social situations and cliques, watching girls vying for attention, watching how the popularity thing happens. I've always thought too hard about everything.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
We did exactly what everybody in the country did, watching it. You entered this state of sort of denials. You think, well, it must have been a tragic accident by an amateur pilot. And then you see the next plane coming.
I have a very specific memory of watching 'Singing in the Rain,' and looking at myself in the mirror after watching it and perceiving myself as one of those people that I was just watching on T.V. It was just kind of a knowing that this would be the world that I would enter into. And that's what I did.
I do miss the idea of the crew getting together to watch dailies after work. I will usually get selected dailies printed on film especially for the early part of a shoot as HD dailies really don't tell me much photographically.
Guilty pleasure implies that it's something that I feel guilty for watching... people tell me I should feel guilty for watching because I'm too old to watch it, but I don't give a damn: I love everything on Cartoon Network from 'Adventure Time' to 'The Adventures of Gumball', 'Teen Titans'... all those shows that are for my kids, I like those!
Music is probably the only place I get energy from. Music and maybe watching a really tremendous performer, watching a terrific performer like Jagger or watching a great movie.
Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.
Everybody wants a big crowd. You get amazed sometimes with certain things that millions of people are watching and you go, "Serious?! Really?!" And then, there are things that you really, really enjoy and not a lot of people are watching. It's very, very hard to predict how it works.
I remember as a really young child, watching his energy on the sideline and watching him get excited, his body movement, the way he reacted. It's fun to hear other people tell stories about my dad and the things he did in games and the way he'd get upset with officials.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
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