A Quote by Joseph D. Pistone

I was Donnie Brasco, the Mafia guy, in character. But in my head, I was a special agent. I never lost sight of who I was or why I was there. — © Joseph D. Pistone
I was Donnie Brasco, the Mafia guy, in character. But in my head, I was a special agent. I never lost sight of who I was or why I was there.
I left a lot of personal stuff out of 'Donnie Brasco.'
'Donnie Brasco' was 85 percent on the money. The only thing that they slanted was my feelings for Lefty and Sonny', and this idea that I didn't want to go through with seeing them in jail. I was never swayed. There was no conflict.
Donnie Brasco was great, but the energy on the set made it kinda hard to get in there and have an opinion.
Although it's depressing to admit this, more than a handful of post-'Donnie Brasco' Al Pacino roles would have been better served by Steve Buscemi.
I have a particular love of an actor that I did work with, oddly, in 'Donnie Brasco,' who has since become a wonderful talent: Paul Giamatti. I would love to do a whole movie with Paul Giamatti.
I lost 30 pounds to play my character in 'The Mexican', but people don't take to skinny mafia men, and I don't feel right when I'm thin.
I lost 30 pounds to play my character in 'The Mexican,' but people don't take to skinny mafia men, and I don't feel right when I'm thin.
You remember Donnie Brasco? It's the most notorious undercover movie ever; it's so street and so real. If you ever imagined yourself doing cop work, you imagined yourself getting pushed to that limit - seeing the furthest you can push yourself while still upholding the law.
The Emanuels are Jewish mafia. It's not that Jews are bad. It's just that they are the head of the Jewish mafia in the United States.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
Now everybody is mafia. You got the Russian mafia, the Mexican mafia. Everybody is mafia these days.
I love 'Donnie Brasco' and 'Days of Thunder,' so after I did 'The Skulls,' I was like, 'I want to be either an undercover cop, or I want to race cars!' Universal came to me with a newspaper article about street racing in L.A., and I was like, 'Are you kidding me? I grew up doing that right off Peoria in Sun Valley.' They asked if I wanted to do it.
You've got to be a special type of guy to strap a camera to your head, especially if you're the first guy to do it.
The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
Alas, why are my nights all thus lost? Ah, why do I ever miss his sight whose breath touches my sleep?
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