I think it's really good to get early work experience. I'm not sure if it will happen with my children, but for many young people it's character-building and sets them up for what comes later.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
And I think that the ultimate way you and I get lucky is if you have some success early in life, you get to find out early it doesn't mean anything. Which means you get to start early the work of figuring out what does mean something -- David Foster Wallace
Songwriters, you have to work - you have to wait for residuals. You have to pray that the song's going to be a hit. And then a year later, you might get a check.
The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.
I'm getting offers for movie stuff. But it shows how facile the movie industry is. I mean, they don't know I can act. I guess they like my record and think I have a nice complexion? I don't know. How many people work and wait tables to get that break? I really don't feel entitled. Everything's so corrupt, you know? Especially the tastemakers. I trust the American public much more than the tastemakers.
This is one of the good parts of being a freelancer - you get to choose the spot you're going to be working at. But I wouldn't base everything on my social media or my work. I'm also a person and I have my personal life. So my social media is my work. It's an important part of my life but it's not my life. People tend to get the wrong idea because they only see the good stuff but it's just my work. I'm trying to portray only the good stuff and what I think is going to be inspiring. I have a personal Instagram where my friends follow me.
People who have it too easy in early life have a disadvantage for later on, because they get to thinking that everything is going to be easy.
Wait, wait, wait, wait. Don't try to write through it, to force it. Many do, but that won't work. Just wait, it will come.
Of course we go to Montreal to work as hard as we can and do the best we can, the same way we go everything, but I think if we always think we need to score points, we start forgetting about the stuff we have to do to get there.
I've never really had specific goals and stuff like that - I think I sort of learned early on that if you kind of let life roll in at your feet, you will get a lot of great stuff if you are just aware and open to it.
There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.
I'm looking forward to playing the meatier roles you get in your 30s. The early 20s can be a hard time for an actress - it's always bombshell or romantic lead. The good stuff you can really sink your teeth into comes later.
When I'm doing the brute work, I do it early in the morning; that's the best time for me to get the stuff down on the page.
If you're a night person you can barely get out of bed in time to get to work or get your kids off to school. You're at your most productive and creative much later in the day, and for you, something like getting up early to go for a run is not going to set you up for success because you're not a morning person.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.