A Quote by Joseph Gordon-Levitt

Success is not important to me, nor are power or money. If the script feels good, then I'm in. It's that simple. — © Joseph Gordon-Levitt
Success is not important to me, nor are power or money. If the script feels good, then I'm in. It's that simple.
Varied are the ideas of what constitutes "success," e.g. money, position, power, achievement, honours, and the like. But these are not open to every man-nor do they bring what is real success, namely, happiness.
Success for me is going beyond money and power, and measuring success based on a third metric - one founded on well-being, wisdom, our ability to wonder and to give back. Money and power by themselves are a two-legged stool. You can balance on them for a while, but eventually you're going to topple over. Basically, success the way we've defined it is no longer sustainable.
Script is the most important thing and if the script is good, then whatever role you are doing, it's fine.
For me, it's important that the script is good. Then a good director will want to make it.
Money is important, but the most important thing for me is to play football, and then I'm happy. OK, you want to earn a good amount of money to be secure, but if I chose money, I would go to Russia and already have a lot more. I like to play football, and that is it.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
But Paris was a very old city and we were young and nothing was simple there, not even poverty, nor sudden money, nor the moonlight, nor right and wrong nor the breathing of someone who lay beside you in the moonlight.
The secret point of money and power in America is neither the things that money can buy nor power for power's sake but absolute personal freedom, mobility, privacy.
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
I used to work in jobs I hated because I needed the money to buy a guitar. I know what it feels like to be depressed. On the other hand, I also know what it feels like to have money, to be successful, to be independent, but I can tell you that money and success never solve your problems.
The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.
The formula for a successful film is simple: good script, good direction, a dedicated cast and a fantastic crew. If you have all of these elements then the rest will fall into place.
If you do not have a good script, then no matter what the genre is, the film will not be a success.
TV feels quite constipated, and the thing I find particularly difficult is the branding of the channels where it's not 'Is it a good script?' but 'Is it a BBC2 script?'
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