A Quote by Joseph Gordon-Levitt
Once you spend time with [the afflicted], you start recognizing them as individuals, as opposed to lumping them in with everybody else who might have those symptoms.
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For those who have come here illegally, they might have a transition time to allow them to set their affairs in order. And then go back home and get in line with everybody else. And if they get in line and they apply to become a citizen and get a green card, they will be treated like everybody else.
Any discuss about taxes ends up being, are you raising them or lowering them, as the opposed to the question I ask - are we raising them for high income individuals that can afford it, and lowering them for lower income people who really need help. Those old categories don't work, and they're preventing us from solving them problems.
What happens in a play is determined to a certain extent by what I thought might be interesting to have happen before I invented the characters, before they started taking over what happened, because they are three-dimensional individuals, and I cannot tell them what to do. Once I give them their identity and their nature, they start writing the play.
There's a time and place for everything. You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
Everybody has a story. It's like families. You might not know who they are, might have lost them, but they exist all the same. You might drift apart or you might turn your back on them, but you can't say you haven't got them. Same goes for stories.
I don't have too much time to spend with my family. But when I have that time, I put everything into that. Nothing else. I spend all that time with them.
And so we try to address those concerns in every way possible, recognizing, again, in the final analysis, everybody on that flight wants to be assured with the highest level of confidence that everybody else on that flight has been properly screened, and including me and you and everybody.
Social movements are at once the symptoms and the instruments of progress. Ignore them and statesmanship is irrelevant; fail to use them and it is weak.
Most new movements start this way: hundreds or thousands of individuals and groups, working in different fields and different locations, start thinking about change using a common language, without necessarily recognizing those shared values. You just start following your own vector, propelled along by people in your immediate vicinity. And then one day, you look up and realize that all those individual trajectories have turned into a wave.
My whole life I saw everybody else get shine, I saw everybody else get money, everybody else wanted to rap. I saw them getting record deals and stuff like that. And everytime I saw that it was damn, I can't wait until my time.
Everybody has their own way of remembering and every culture has their traditions. When you compare the similarities and differences to other cultures, you start to learn about them and appreciate them. Whether it's the Japanese or the Africans, they all have ways of conjuring spirits and the support of those who have gone before them.
Everybody in my family cooks, so growing up and being around it... if I was going to spend time with everybody, it was helping them in the kitchen.
I wouldn't express myself as shy. I have to be in my comfort zone, like everybody else. You have to take time to feel people out. You can't give them too much at once.
Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.
Symptoms, those you believe you recognize, seem to you irrational because you take them in an isolated manner, and you want to interpret them directly.
The problem with being a writer/director: unless you're really disciplined, you start adding projects, and you have to make time to make them. Because you have to write them... no one else is writing them for me.
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